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Interview with Holly Hunter of "Saving Grace"
It was great to hear Holly Hunter talk about her show! I
didn't get to ask a question, though. I'm not sure if they just ran out
of time or if there was some technical glitch...this is a great show.
I'm sorry it won't be around much longer. You can
read my review of the
Moderator: Erin Naman
March 9, 2010
3:30 pm CT
Operator: Good day and welcome to the Holly Hunter conference call.
Todayís conference is being recorded.
At this time, I would like to turn the conference over the Erin Naman.
Please go ahead.
Erin Naman: Hello and thanks for joining this conference call with Holly
Hunter. Today, Holly will answer your questions about the final episode
of Saving Grace which begins Monday March 29 at 10:00/9:00 Central on
This call is being recorded and a transcript will be distributed
Iíll now turn the call back over to Celia who will give you instructions
on how to queue your questions.
Operator: Thank you. The question and answer session will be conducted
electronically. If you would like to ask a question, please do so by
pressing the star key followed by the digit 1 on your touchtone
telephone. If youíre using a speakerphone, please make sure your mute
button is turned off to allow your signal to reach our equipment. Once
again, press star 1 for questions.
And weíll take our first question from Lisa Steinberg with Starry
Lisa Steinberg: Hi, itís a pleasure to speak with you again.
Holly Hunter: Hey.
Lisa Steinberg: What would you like people to remember about Saving
Holly Hunter: What they will. I mean, I think people can take away very
different things from this woman. I really kind of felt like I wanted to
conduct my own exploration of her and I guess the thing that I wanted to
do was ask questions that were interesting.
Ask questions of myself, ask questions of the audience. I didnít really
want to provide people with answers.
Lisa Steinberg: Well, then my next question was going to be are we ever
going to get a final resolution on Earl? However if thereís no answers,
how can we?
Holly Hunter: Are we ever going to get a final resolution? When I say
answers, I think I mean not messages. I really was interested in the
show always kind of being a question or - but never like this is a
message that we want to send out to you about the meaning of anything. I
really wanted to bring this portrait of a woman whoís a little deep
inside herself, of a person who is slightly uncivilized who has a
wildness that ultimately governs her.
And the wildness in her governs her love. And then as weíve seen there -
Grace has learned consequences of how she loves, and thatís been
interesting for me to kind of explore how she loves Rhetta, how she
But what one person wants another person may not want and then you have
to deal with the consequences of that.
Lisa Steinberg: You and - oh gosh, her name escapes me, Laura San
Giacomo have such a bond together because you play these life-long
friends. Was it something that you guys had to spend time developing or
was there an instant report, chemistry, between the two of you?
Holly Hunter: There was an instant report. I mean, thatís just real
lucky. We got lucky that way because itís true. As soon as we started
shooting in the editing room we found that what could really work best
with Laura with me was two shot. A shot that held both characters in the
same frame because itís like you just wanted them to be together in the
You physically wanted to see these two women being held by a single
frame instead of going into close-ups and that was something that I
think Laura and I just had the great good fortune of hav - we just had
Operator: And weíll take our next question from Earl Dittman with
Earl Dittman: Hi, how are you doing today?
Holly Hunter: Hey great, how are you?
Earl Dittman: Doing great. I have to say youíve made us fall in love
with a woman, love her, hate her, want to be like her, everything. We
love everything about Grace but why the decision to end it now? I mean,
this is the kind of show that I could watch for ten seasons. I donít
know if you could do it for ten seasons but why the decision now?
Holly Hunter: Well, you would really - that was not a decision of mine
that was a decision of other people. So, that was governed by money
really and I didnít have a lot to do with the money aspect of the show.
Like nothing to do with the money aspect.
So having said that thereís a beauty to having a finite thing to Grace
and I actually always felt that from the beginning. I wanted it to be a
freight train that was running towards a destination that was coming
quickly. We were hurdling towards this destiny through this woman Grace
and I always talk about that sense of urgency and that sense that it was
like runaway and we were on it.
And so when we got the news coming down the pike that Grace was being
canceled there was a poetry about having an end because then the freight
train could really go right towards that stopping place.
I know that may not satisfy you but...
Operator: And weíll take our next question from Emily Costantino with
Emily Costantino: Hello, how are you today?
Holly Hunter: Hey, great. How are you?
Emily Costantino: Great, thank you. So I would like to ask you what is
your fondest memory from this whole experience making Saving Grace?
Holly Hunter: You know I have so many. There have been so many moments
that Iíve just adored, some filmed and some not. You know, some things
that happened in between takes, some things that happened with the crew
because we had a lot of the same crew like not from the very beginning
but we did have some people that where there from the pilot on.
And it was - you know, when you spend this many hours a week working
with the same people I mean television operates on really amazing hours
and the gift of that is the trust that you feel and the intimacy that
you feel with the people who youíre working with.
And so thereís so many moments that I treasure from Saving Grace that I
can never line them up even under like my top ten list.
Operator: And weíll go next to Ceslie Armstrong with Ceslie Show
Ceslie Armstrong: Hi Holly.
Holly Hunter: Hey.
Ceslie Armstrong: So all of our programming is for women over age 40 and
much of your audience fits that demographic and we fell in love with you
back in 1987 as Jane Craig in Broadcast News.
Holly Hunter: Oh great.
Ceslie Armstrong: And that character was such a strong contrast in
emotions as is Grace.
Holly Hunter: Yeah.
Ceslie Armstrong: Crying one minute, laughing the next, working women,
doing it all, authoritative but sensitive, a daughter, a mother. Are you
finding now that at this stage in your life youíre drawn even more too
strong characters like that and do you also see the similarity in Jane
Holly Hunter: Well, there are similarities in Jane and Grace and I think
they kind of - thereís an untamed aspect in Grace that even Jane
Craig...She operated on a large landscape but I think that Jane - Grace
is more evolved in a way than Jane. I mean, Jane fit into the world. She
really did fit into the world and I feel that Grace is a loner who is in
a position of confronting something that she doesnít necessarily want to
confront and doesnít understand.
But I think that Grace is further along the line of being an uncivilized
person than Jane Craig. But in terms of what Iím drawn towards now, I
donít know. This - Grace came...I came upon Grace, Grace came upon me
unexpectedly. I was not looking for - I didnít realize I was looking for
this character but I could not say no to her. I thought she was just an
absolutely irresistible person to me and wanted to play her right away.
And so, yeah, I donít know what Iím looking for next but right now Iím
looking for nothing. Iím looking for rest and to relax away from the
workplace. So thatís definitely whatís next for me is just too kind of
really ease out and take a real break from performing.
Operator: And once again if you would like to ask a question or have a
follow-up please press star 1.
And weíll go next to Earl Dittman with Wireless Magazines.
Earl Dittman: Itís me again, I got cut off from that question, we were
talking earlier. I was saying that the great thing about Grace is that -
like you were saying in the first question you learn so much from her,
willingly or unwillingly.
What did you learn from her unexpectedly as playing the character? Did
you anything that you never thought you would learn?
Holly Hunter: Well, I think to actually be with Grace as she - gosh. I
think - I mean, I learned so much about the process of being Grace in
all the ways that I was involved. That was a very rich learning
experience was how to be involved with brining Grace to audiences
creatively. Not in any other way but the creative aspect through
producing, being an executive producer that was very involving, very
exciting and I learned tremendous amounts that I could never have
learned in such a short period of time except for Grace.
But I found the character, the subversive edge of Grace was something
that I had always felt drawn towards and I admire. For example, the
scene where she is being - she allows herself to be beaten up in this
womanís room at a bar. She allows the shit to just get beaten out of her
by this chick whoís really mad.
I thought the subversivness in that was so enticing to me, because I
felt that in getting beat up Grace got liberated as well. I mean, it was
like she got taken to the edge of mortality and in there she found the
kind of freedom and that is truly subversive and flirty with things that
most people donít flirt with.
And thatís the definition of Grace that I most love was that she liked
to go places where people only fantasize about going. You go see boxing
a boxing match because there are two men in the ring putting their lives
on the in literally and you pay to watch and theyíre living in a place
where you can flirt with living but you donít live there and thatís what
I loved about Grace.
Operator: Once again if you would like to ask a question or have a
follow-up question, please press star 1. And weíll go next to Erik Meers
Erik Meers: Hi Holly, thanks for taking time to talk to us.
Holly Hunter: Hey.
Erik Meers: My first question for you is the show tackled such
provocative senses like faith and religion did being on the show
influence your spiritual life?
Holly Hunter: Well, to a degree. I mean, I feel that Iím a spiritual
person in that I feel like telling stories is a spiritual exercise and I
think that itís something that we need as a culture and as humans. We
need for people to put stories up in front of us that we recognize as
ourselves so that we can see - you need to be able to see something in a
finite form in order to identify with it sometimes because your life
sprawls before you in this kind of way that you canít capture.
And so storytelling - you kind of put your nightmares up there, you put
your dreams up there and people can see them better because they can
stand outside of it and look at it and recognize themselves inside it.
So I feel that that in and of itself is a spiritual thing.
And so I think Grace reinforced that for me because I had to answer why
I was doing it often because it was very difficult. Itís been a very
difficult thing to do in terms of hours and in terms of commitment,
personal commitment. And I was very personally committed.
So that, I think, grew in me as - so I think it reinforced me as a
person with a certain kind of spirituality.
Erik Meers: Now, I just have one follow-up. My question is, was there
anything about the character of Grace that you felt most strongly
related to in playing this role now that youíre wrapping it up?
Holly Hunter: Gosh. Well, I think it would be hard to say. I mean, I
bring all of myself to Grace but I bring all of myself to every
character that Iíve ever played whether she was an arsonist or a Texas
cheerleader murdering mom or a TV broadcast journal, news producer, or a
mute Scottish bride.
So I donít know, they all come from me or my imagination.
Operator: Once again if you would like to ask a question or have a
follow-up question, please press star 1. And weíll go next to Ceslie
Armstrong with Ceslie Show Momentum Women.
Ceslie Armstrong: Hi again Holly. There is the scene I remember very
vividly in the show where Grace, I believe she goes home first and puts
on the uniform to go to a funeral.
Holly Hunter: Yes.
Ceslie Armstrong: And that really stuck with me because we hear this
from our listeners and our audience all the time about how women are
running around in their busy lives and theyíre in their casual wear or
their jeans doing that. And when they have to sort of put on the uniform
of the daily life and step into those pumps and hit the door or hit the
board room or whatever it is or a PTA meeting even. And you made such a
strong transformation when you put on that uniform even down to having
the hair polished and everything, did you put a lot of effort personally
into sort of prepping for that day? Or was it a natural sort of...
Holly Hunter: Thatís such a great question.
Ceslie Armstrong: Well I think it relates to what we do as women every
single day getting ready to brave the world.
Holly Hunter: Well, actually, Iíve thought about that scene a lot, a
whole lot, because I guess most importantly for me I wanted the music to
be great under that scene. I mean, I wanted to be transported by the
music and that was Anthony and the Johnsons. That was a song that I
Because doing Saving Grace it was another great outlet for me to choose
music, so I got to choose a lot of the music for the show. Any outside
composers that we brought in, outside artists, they were - not always,
but they were often singers that I really responded to. And he was one
of them and I thought that there was something so gorgeous about that
song and so expressing the end of life that - and Grace thinks about the
end of life a lot and that was what she was there to glorify, was a
fellow police officer who lost his life in the line of duty.
And she wanted to bring glory to him and to her own line of work which
is really a work of service that Grace feels she serves people through
her job and that that is the greatest glory that a police officer can
give to a community is to perform that service of offering protection.
So, I think I just wanted to bring something holy to the work that cops
do. And one of the very many reasons why, or the reason why Grace
Hanadarko chose to be a cop is for that singular reason.
Operator: And weíll go next to Earl Dittman with Wireless Magazines.
Earl Dittman: Hi Holly, itís me. You canít get rid of me.
Holly Hunter: I like it.
Earl Dittman: Great. Did you spend a lot of time with other police
officers doing ride-arounds and things like that? And what kind of
reaction have you gotten from actual police officers if any?
Holly Hunter: Well, I spent some time with the Oklahoma City Police
Department on a number of occasions and they - from giving me moves just
physically opportunistic moves, moves of offense, of defense, I took
shooting lessons, went to driving lessons, road around with them and it
was, of course, humbling. Itís a job that requires things that I only
have in my imagination but that I donít have.
And it inspires a good amount of ah to see what they encounter and what
they confront and what they want to confront. These are people that want
- they seek trouble out. They go - when everybody else is running away
theyíre running towards an thatís an interesting impulse for people to
have and I thought that it totally embodied Grace because Grace is
seeking out chaos and feels at home in it. Itís just that Grace feels
that way in her personal life as well as her professional life, and I
canít say that for all cops.
Operator: There are no further questions in the queue at this time. That
concludes todayís conference we thank you for your participation.
Holly Hunter: Thank you guys.
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