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Interview with Mark Feuerstein of
"Royal Pains"on USA 5/27/09
Royal Pains Ė Mark Feuerstein Q&A Session
May 27, 2009/2:30 p.m. EDT
Moderator Ladies and gentlemen, thank you for standing by and welcome to
the Royal Pains Ė Mark Feuerstein Question and Answer Session. At this
time, all participants are in a listen-only mode. Later, we will conduct
a question and answer session, and the instructions will be given at
that time. As a reminder this conference is being recorded.
Iíd now like to turn the conference over to your host, Ms. Chrissy
Fehskens. Please go ahead.
C. Fehskens Hello, everyone. This is Chrissy Fehskens from New Media
Strategies. I wanted to welcome you to the Mark Feuerstein Q&A session
and start things off by thanking Mark for being with us today. As you
know, Mark plays the role of Dr. Hank Lawson on USAís new original
series, Royal Pains, which will premiere next Thursday, June 4th at
In a moment, weíll begin the Q&A session. As a reminder, all
participants are currently in a listen-only mode, and will need to enter
the moderated question queue in order to speak on todayís call. Due to
the number of participants whoíve dialed in, as well as todayís
production schedule, weíre asking everyone to please limit themselves to
two questions at a time, and then reenter the question queue in order to
ask additional or followup questions. This will ensure that we get
through as many questions as possible during our session. This call is
also being recorded for transcription, and you will receive a copy of
the transcript within the next 48 hours.
With that, Iím going to turn the call back over to our Moderator to
begin todayís session. Please go ahead.
Moderator Thank you.
M. Feuerstein I, too, would like to thank you all for being here. I
apologize beforehand for any awkward moments when I canít hear you or
you canít hear me, or we step on each other; thatís just part of the
Moderator Our first question will come from the line of Jamie Steinberg
with Starry Constellation.
J. Steinberg Hello. Itís a pleasure to speak with you.
M. Feuerstein Itís a pleasure to speak with you.
J. Steinberg What made you want to be a part of the show?
M. Feuerstein What made me want to be a part of the show?
J. Steinberg Yes.
M. Feuerstein Well, first of all, I grew up in New York City, going to
first a public school, then a private school, and when I got to the
private school in Manhattan, I learned of what we called ďThe Promised
Land,Ē which are the Hamptons. Iíve always had an affinity for the
Hamptons. I think it is one of the most romantic, beautiful, pristine,
exclusive, in a private and kind of meditative way, places on earth. So,
when I heard about a show which was about a doctor set in the Hamptons,
I jumped at it, then I found out it was my friend, Andrew Lenchewski,
who had written the script, and then I found out that the role of Hank
Lawson was a guy who was a dramatic, comedic, and romantic lead with all
this dimension and everything that a good cable show has to offer, and
that it was on USA, the number one cable network Ė which supports its
shows rather than makes them crazy, as they do sometimes at the networks
Ė and I just decided that this was just my new vision quest and I had to
have it. A month later, after a relatively rigorous audition process, I
got it, and I was in heaven and I still am.
J. Steinberg What about the role do you find challenging?
M. Feuerstein Well, Hank is a complicated guy, because as a child his
father lost all the familyís money in the stock market, and then you
find him at the beginning of the pilot getting fired for not bending
over backwards and risking a neighborhood kidís life to save a rich guy.
So, he has a very tenuous and conflictual relationship to money, and
there he is being asked to take care of people with a lot of it. So, I
love the inner conflict just built into the situation, but I also think
heís just a good guy at heart, whose heart is in the right place, who
wants to do good and make good on his Hippocratic Oath to take care of
people. But also heís a good brother, and I donít know, he looks out for
people and his heart is in the right place.
J. Steinberg What have you liked about working with Paulo Costanzo?
M. Feuerstein Paulo Costanzo is insane, and I love every part of his
insanity. He is someone with no filter, whatever is appearing in his
brain will come out of his mouth, and I love that about him and I love
the way that that translates into his portrayal of Evan Lawson. Evan
Lawson as a character is someone who, I donít know, heís sort of on some
level the opposite of Hank. He doesnít think about anything before he
does it. He loves money. He loves the good life. Heís sort of living the
Dionysian fantasy, and weíve put him the perfect place to live it out.
So, Paulo Costanzo only is perfect to play a part like that, because he
is Dionysus himself.
Moderator And weíll go on to Chandra Williams with TV Jots. Please go
C. Williams Hello, Mark.
M. Feuerstein Hello, Chandra. How are you doing?
C. Williams Fine, thank you. Thanks for answering our questions.
M. Feuerstein My pleasure.
C. Williams How does Royal Pains fit into USA Networkís hit lineup of
character-driven dramedies, and what makes this show and your character
M. Feuerstein Well, it could not be a more perfect network to have Royal
Pains on it, and Iíll begin by telling you that Iíve been on my share of
network dramas and comedies, and the problem sometimes in a network is
they have a single-minded focus on making the show true to whatever
genre it is. So, if youíre on a drama, it better be procedural, it
better fulfill all the demands of a procedural show, and you better keep
those episodes independent, so that if Iím watching the show in seven
years as its syndicated on some other cable network, I donít have to
know what happened before or after the episode, and everything is meant
to support the procedure. If youíre on, say, a comedy, everything has to
be funny and wacky and zany.
But somehow USA has found the perfect marriage of procedural drama and
comedy, and they have it in Psych, they have it in Burn Notice, they
have it in Monk, they have it in In Plain Sight; every show manages to
somehow blend comedy and drama and tell a story that might be slightly
serialized. So that you do have to tune in every week to see, say in our
case, the relationship between me and my landlord, Boris is at, where my
relationship with me and Jill, the romantic relationship that Iím
involved in, where weíre at with those. But at the same time every week
if you tune in, youíll watch a medical drama, a medical story told from
beginning to middle to end, and it will also satisfy all the demands of
a procedure, while giving you all this character, all this story, all
this nuance and comedy along the way.
C. Williams What do viewers need to know about your character, Dr. Hank
Lawson, that might not be so obvious from the premiere episode?
M. Feuerstein Youíre saying what characteristics are there in the
character of Hank that might not be so obvious?
C. Williams Yes, in the premiere.
M. Feuerstein What you donít get to learn in the premiere, which frankly
Hank doesnít know, is what the heck heís doing there in the Hamptons.
You know he meets a girl he kind of likes, maybe loves, but beyond that,
he was meant to be an emergency surgeon in a hospital at a good job in
Brooklyn, and he lost it, but why wouldnít he just go to another big
city and find another job as an emergency room. Well, heís landed in the
Hamptons, and heís going to stay here to see what it holds for him. Heís
taken a turn in his life, where heís decided heís going to be more
impetuous, less planned out, because the plan he had of the perfect life
didnít work out.
So really every week weíre figuring along with Hank what heís doing
there. In episode three, it turns out that there are all these people
who are not rich who have been left behind by the medical care system,
and he and his love interest, Jill, end up becoming like a Bonnie and
Clyde type of team, where thereís this pile of papers of people who all
have lost their medical coverage, their COBRAís have run out, their Blue
Cross/Blue Shield premium has gotten too expensive, and I steal some of
those papers from Jill and decide to go find these people. I find a guy
who works on the docks in Montauk, and he has hepatitis C, and I decide
heís going to be my patient and Iím going to take care of him, even
though the system wonít. So, at the end of the episode, Jill calls me
the ďRobin Hood of medicine,Ē because I steal from the rich and give to
the poor. When that phrase came out, which was actually the result of
last-minute rewrites between Michael Rauch, our executive producer, and
Don Scardino, our director, but when that phrase was born I said to
myself, okay, now I have some sense of what Hank is doing there. Heís
going to help use the system out there, all the money out there, to help
all the people who donít have it.
Moderator And our next question will come from Troy Rogers with
deadbolt.com. Please go ahead.
T. Rogers Hello, Mark. How are you doing?
M. Feuerstein Good. How are you?
T. Rogers Not too bad. Not too bad. Hank seems like a very cool, nice
guy. I was wondering, is there anything about him that you didnít like
or that youíd like to change?
M. Feuerstein Wow. First of all, in television oftentimes the character
that youíre seeing portrayed is not so far from the people who are
playing them. In other cases, thatís not so true, especially in the case
of serial killers. But in the case of Hank Lawson, you know, I wish I
were as noble and altruistic as he is, but thereís definitely things
about who I am that I try to bring to the table. So, off hand, my answer
is no, thereís nothing that I donít like about Hank Lawson, because heís
me and heís perfect. But I will say that Hank might fall prey to the
tendency to possibly think too much, to overanalyze a situation. There
are many situations where professionally he doesnít think at all, he
just goes with his gut, and it works out for him. But there are moments
in his romantic life and moments with his brother where he has a
tendency to be either too good or too thought out and might possibly
forego certain experiences in his life because heís trying to do the
right thing or plan too much, so that could be one thing that he could
work on. Sure.
T. Rogers Okay. Cool. I also wanted to know, back in the day when you
were a young bachelor; did your apartment ever smell like a moose mixed
with Chinese food?
M. Feuerstein All the time. It was hard, because at the time I was in
fact a moose hunter, and I let all the carcasses just sort of lie there,
then I would pour the beer on all of it, so thatís how it got that
smell. But Iíve since changed my ways and now itís just elk.
Moderator Thank you. Our next question comes from the line of Melissa
Lowery with nicegirlstv.com. Please go ahead.
M. Lowery Oh, gosh. Iím still laughing over that image.
M. Feuerstein Thank you.
M. Lowery Nice.
M. Feuerstein Thank you. Sorry to put that in your brain. I wish I had a
switch or a vacuum to take it out, but you know, it happens.
M. Lowery Yes. Yes. Thatís great. Well, you know, that sense of humor is
something that I saw watching the pilot episode between you and Paulo as
Hank and Evan. Can you talk to us a little bit about the relationship
between these two brothers and how thatís going to unfold?
M. Feuerstein Yes. I have an older brother myself, and I think the
relationship between Evan and Hank is very similar to my own real
relationship with my brother. I mean, the beauty of brotherhood,
brothers having several different people representing a generation of a
family, is that each member represents a different point of view. So,
Evan is the one that, you know, we both watched my father, our father
lose his shirt in the stock market, but what you bring away from that
depends on who you are. So, my younger brother watched that and said,
ďWell, if my father got lost in the shuffle, Iím going to make the money
that he never made. Iím going to figure out a way to live the good life
that he was never able to live.Ē Thatís a perfectly valid way to
approach it, and a perfectly valid response.
Hank watches what happened and says, ďYou know what, my father put too
much premium on money, and it was superficial, and it was fleeting, and
screw that. Money is not the be-all and end-all. Itís about taking care
of people and living a somewhat stable existence.Ē Thatís exactly the
life he was trying to build for himself before he lost his job and his
fiancťe and all of it went to hell in a hand basket.
So, you know, I think the relationship between me and my brother is the
yin and the yang of life, and as a result of that we have a lot of
conflict, but at the end of the day, we have more love and thatís what
keeps us together.
M. Lowery Well, thatís going to be a lot of fun to watch, and especially
I think in this setting, whereas you said earlier, Evan is something of
a Dionysus individual. So, is he just going to flourish here? Is he ever
going to go back to his accountant practice?
M. Feuerstein Well, first of all, you will learn in an episode, maybe
the fourth episode, you will learn something about why he left his
practice, and it may have something to do with certain dealings on his
part that were not entirely kosher. So, thatís one part of the backstory
that comes out in episode four, and it makes one believe that he might
never return to being a CPA, and why heís far more dependent on HankMed
than maybe I am. But you will also watch him flourish in the Hamptons,
because this is his Promised Land. Itís where everyone has the thing
that he fantasizes about most: money and nice cars and nice clothing and
So, he is just in heaven and heís making every moment count and loving
life. Itís great to watch, because Pauloís fabulous and the enthusiasm
and giddy joy he gets out of all these rich houses and beautiful cars
and beautiful women, is just a joy to watch. You always want to see
someone appreciating all the artifice of the world while Iím trying to
get in there and bring some substance to the table.
Moderator And our next question comes from Sheldon Wiebe with
eclipsemagazine.com. Please go ahead.
S. Wiebe Hello, Mark.
M. Feuerstein Hello, Sheldon.
S. Wiebe When I was talking with Andy and Michael last week I noticed in
the pilot that itís really structured oddly. You love the guy right off
the bat, Iím talking about Hank here, for doing the right thing, and
then thereís that epic self-pity montage that kind of reaches a point
where you could hate him, but then he rebounds. What Iíd like to know
is, going into that, how do you prepare and how do you work it so that
you remain sympathetic to the audience, even though itís really pushing
the edge like that?
M. Feuerstein Thatís a very well crafted question, and I appreciate it,
Sheldon. Thank you. First of all, itís the Ö of the pilot that
determines how the character handles his actions and his choices after
he makes certain decisions. In the playing of it, I think at that moment
in time self-pity is not necessarily appealing, but the humor with which
we Ö can make it slightly more so. So, for me, like when thereís the
moment where Iím sitting by the table, I donít know, ice cream is
dripping off my chin and Iím watching the movie Mask, and in the middle
of my depressed Ö the odd kiss between Eric Stoltz and Laura Dern, where
sheís trying to kiss him through his weird catcher-mask face, kind of
look at them and Iím just Ö, and though Iím sitting there wallowing in
my own pity, itís kind of haunting to me that Iím noticing that. So I
love that little montage just for that moment.
Then you watch a guy, at least by not protesting, just agree to go out
to the Hamptons and have a good time, and then suddenly heís back in
action, saving the model who drops on the floor at Borisí party. So,
youíre watching a guy whoís basically, heís a human being, you know, he
loses his dream job and his dream fiancťe and suddenly has to realize
that his dreams are not all they were cracked up to be. I feel like heís
entitled to a moment of depression, but he quickly bounces back and then
kind of goes with his gut and I hope audiences will sympathize with that
and appreciate that.
S. Wiebe Cool. Also, the showís other major coup, as far as Iím
concerned, besides getting you to play Hank is having Campbell Scott
want to play Boris, who is a very mysterious character. Iím just
wondering what kind of a relationship builds between Hank and Boris, and
how much fun is it to work with Campbell Scott?
M. Feuerstein Iím so glad you asked that question, because I love
Campbell Scott. Before we did the show I only loved him as an actor, and
really admired his work; now I love him as a person. Itís a dream to
work with him, not just because heís so professional and he shows up and
he is like beyond perfection on the first take and then the second one
is even more brilliant than the last, but also because nobody else could
perform this very odd role of a German baron named Boris in the
Hamptons. But somehow in his person and in his delivery every line comes
out in the most nuanced, unique, original way.
And Paulo and I, who are already living the male fantasy in the show,
are living out the actor fantasy when we get to perform with Campbell,
because any actor would dream to do a scene with Campbell Scott, heís
just one of the best actors we have. And when he says a word, like my
name, ďI have plans for you, Hank,Ē or when weíre talking about the
scene where he has a shark in his basement, thatís all Iíll say for now,
and heís looking at it and he talks about how sharks have buoyancy, and
he just has fun with the word. He just says, ďYes, these sharks, they
have so much buoyancy.Ē Then thereís a line where Iím doing a scene with
Paulo, and he says, ďBecause Hank, the best things in life are free.Ē No
one can do the delivery the way he does it, but it makes you stand
there, wonder what the hell just happened, why am I scared, and who am I
dealing with, and then when you stop and they yell, ďCut,Ē you go, ďIím
dealing with the most brilliant actor Iíve ever gotten to work with.Ē
So, in conclusion, itís pretty good. I like working with Campbell Scott.
Moderator And our next question will come from the line of Lauren
Becker, Shooting Stars Magazine.
L. Becker Hello, Mark. Thanks for talking to us.
M. Feuerstein Itís my pleasure. Great questions coming from this team.
L. Becker You were talking before how Royal Pains is not like a medical
drama, itís not a comedy like on a lot of other networks, and USA is
really good with having realistic and multidimensional characters. I was
just wondering, what kind of demographic you feel would like this show,
like what shows on USA are kind of similar, do you have any idea, or do
you think it works for anybody?
M. Feuerstein I always believe that my greatest audience will come from
70-year-old Jewish men and Jewish women, but thatís me from my
experience of going to High Holiday services and being adored by the
women with free candy in the back. But then beyond that I think we
should have a large following from the gay men of America; Iíve
certainly noted their appreciation and fascination with me. Beyond that,
itís hard to say, but Iím hoping that all women are enticed by our
charm, wit, and our whimsy, and all the men are appreciative of the
beautiful women and intense medical drama that ensues. Beyond that, itís
hard to say because you never really know whoís going to respond, but I
hope everyone does.
L. Becker Well, I think you have most people covered, so weíre good.
M. Feuerstein Okay, cool. Cool.
L. Becker Yes.
Moderator And our next question comes from the line of Jay Jacobs,
J. Jacobs Hello, Mark. How are you doing?
M. Feuerstein Iím good, Jay. I like the alliteration in your name.
J. Jacobs Oh, thank you. My mother had a strange sense of humor, what
can I say?
M. Feuerstein My son is Frisco Feuerstein, so I appreciate that.
J. Jacobs Okay, great. Now, were you familiar of the concept of a
concierge doctor before getting this project? I have to admit, when I
first heard of it I thought it might be made up, but apparently itís a
M. Feuerstein I was not aware of it at all. And my brother and I both,
like we would wonder when we were sitting after getting banged in the
head or breaking an arm in a wrestling match, sitting in the emergency
room for five hours waiting for a doctor, we would turn to each other,
going to a private school in New York like good, superficial children,
saying, ďWhat do rich people do when they get hurt? Are they sitting
here for five hours, waiting for some triage nurse to get you?Ē Hereís
the answer: itís concierge medicine. Itís private physicians for hire.
The good thing is the character has evolved, so Iím not just taking care
of rich people, that I take from the rich and also give to the poor.
But I had not heard of concierge medicine before. Now Iím realizing, not
just because Iím doing this show and everyoneís talking to me about it,
but the truth is I just read an article in the New York Times that in
this economic crisis of this country lots of things are getting hit, but
one of the few things that is not only remaining stable as an industry
but actually growing is concierge medicine. I guess itís because even in
times of panic or especially in times of financial crisis, people are
still most concerned about their health and if thereís anything, they
would still spend the money on is to guarantee that they donít get sick.
Even furthermore, that in times of financial crisis their jobs will
depend on their physical and mental wellbeing, so it will behoove them
to protect that above all else.
J. Jacobs Right. Now, also, in the pilot, you sort of explained, I was
wondering, I had only seen the pilot and I was wondering if he would use
the rich people to help the poor, and you did answer that. But it just
was interesting to me because Hank doesnít really seem like the type to
put up with the rich peopleís foibles, do you think that heíll be able
to sort of balance doing all of his good with dealing with sort of
spoiled heirs and people who have flat tires and stuff like that?
M. Feuerstein You watched the pilot very well. I appreciate your viewing
comprehension. I think that Hank as far as ... world, like any
stereotype, if you believe that rich people are inherently bad in such a
general way you will eventually be corrected, and our show is totally
not trying to say that people with money are evil. Our show is trying to
paint a detailed and specific world filled with nuance and accuracy. So,
instead of just superficial rich people you have a character like
Tucker, who is the child of wealth, but who has an absentee father who
doesnít give the son the father that he needs. So, heís constantly in
pursuit of an example, a role model, a male companion, and Hank comes in
in episode three and provides that much-needed support to this kid. So,
you know, Hank becomes more than a doctor, and the rich people become
more than just superficial and pedantic.
C. Fehskens And we have time for one more question.
Moderator And that question will come from the line of Bryan Jones with
tvovermind.com. Please go ahead.
B. Jones Hello, Mark. I appreciate you doing this. I loved the pilot. It
M. Feuerstein Oh, thank you.
B. Jones I couldnít help but notice there were a lot similar, kind of
visual elements, as well as just kind of overall style between Royal
Pains and Burn Notice. So, I was curious what you thought other than
being a spy and killing people, your character might have in common with
Michael Westen and what things he certainly doesnít have in common with
M. Feuerstein What a great last question, I have to say. I love it. My
answer has 17 parts that Iíd like to address, so weíll be on the phone
for a couple of hours. No, I like the question because, first of all, I
love Jace Alexander, who is one of our co-executive producers, and Jace
directed the pilot of Burn Notice and he directed the pilot for Royal
Pains, so, another A for viewing comprehension.
What I love about the way he shot Royal Pains, like thereís one tracking
shot that though it doesnít advance the story as much, it creates this
beautiful picture of the world, I think they had to fight to keep that
shot. But itís such an awesome tracking shot through the whole party, as
everyoneís looking at me wandering through the party, you get to see the
faces of the people who live in the Hamptons, so, the hot ladies, the
rich men, the plastic surgeons, the kind of characters who live in the
world. And you get to see it through this very cool, very slick camera
move that says to the viewer, ďThis show is going to move along at a
fast clip, and itís going to be fun, and youíre going to get characters
and stories along the way.Ē I think thatís part of USAís entire
aesthetic. So, the camera work is consistent with sort of the message of
the entire network, which has its own sort of personality and brand at
The other thing that I wanted to say is that USA is so smart in the way
that they market our shows that theyíve actually managed to sort of
create this universe Ö who could in some Ö live in the same universe.
And theyíve done that in a crossover promotion, where Michael Westen,
the character from Burn Notice, is actually sending a letter off and in
the letter he says, ďHey man, I know what itís like to come to a new
place and set up shop when you donít anybody and you donít know the lay
of the land. So, here are a few things that might help you. Hereís a
bottle of suntan lotionĒówhich is perfect for him in Miami and me in the
Hamptons. ďHereís a pair of sunglasses.Ē Perfect. ďAnd hereís some C4
explosives.Ē So, here I am at the end of the promo, staring at a package
of clay explosives, not knowing what to do with it, and that, of course,
is where our characters diverge. But on all other fronts theyíre quite
similar. They have a sense of humor, itís slightly dark, and theyíre in
this very Ö and beautiful place, in the case of him, Miami, and in our
case, the Hamptons, to do a job. So, somehow USA managed to create this
very uniform, very diverse but sort of well-tied-together world.
I think thatís it. So, I want to say to everybody thank you for the time
youíve spent, and weíre really excited about our show. So, we really
appreciate all the time and all the information and all the support that
you guys have given us. Thanks.
C. Fehskens Thanks again, Mark. Thatís all the time we have for today,
folks. Transcripts of todayís call will be distributed in 48 hours, so
please look out for those, and of course, remember to tune into the
series premiere of Royal Pains next Thursday at 10:00/9:00 Central on
USA Network. Have a great day, everyone.
M. Feuerstein Goodbye, guys.
Moderator Ladies and gentlemen, that does conclude our conference for
today. Thank you for your participation and for using AT&T Executive
Teleconference. You may now disconnect.
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