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By
Suzanne

Interview with Colin Ferguson and Salli Richardson-Whitfield of "Eureka" on
Syfy 6/29/11.
This is one of my very favorite shows, and these two are
great. I am so glad I got to speak with them. It was so funny listening
to them. They are a riot together. I hope you enjoy reading it, too.
Syfy
Moderator: Sharon Liggins
June 29, 2011
3:30 pm CT
Operator: Ladies and gentlemen, thank you for standing by and welcome to
the NBC Universal Eureka conference call.I would now like to turn the
conference over to Sharon Liggins. Please go ahead.
Sharon Liggins: Hello, everyone, I’m Sharon Liggins. I’m the publicist
for Universal Cable Productions and Eureka, so thank you so much for
taking time to join our Eureka conference call.
Joining us from the cast is Colin Ferguson, who plays Sheriff Jack
Carter, and Salli Richardson-Whitfield, who plays Allison Blake. Season
4.5 of Eureka premiers Monday, July 11 at 8:00 pm, kicking off Syfy’s
new Monday night lineup of scripted originals.
I’ll now hand it back to the operator to start the call.
Operator: Ladies and gentlemen, as a reminder to register a question,
please press the 1 followed by the 4 on your telephone. You will hear a
three-toned prompt to acknowledge your request. If your question has
been answered and you would like to withdraw your registration, please
press the 1 followed by the 3. If you are using a speakerphone, please
lift your handset before entering your request. One moment please, for
the first question.
Our first question comes from Pattye Grippo from Pazsaz Entertainment
Network. Please proceed.
Pattye Grippo: Hi guys, thanks for talking with us today.
Salli Richardson-Whitfield: Thank you.
Pattye Grippo: So let me ask you, how do you think the dynamic within
the cast has changed, you know, as the show’s progressed, now that we’re
in the fourth and a half, I guess we’ll call it, season?
Colin Ferguson: Gosh, Sal, you want me to take it?
Salli Richardson-Whitfield: Yeah, because I’m not quite sure...
Colin Ferguson: Okay...
Salli Richardson-Whitfield: Yeah.
Colin Ferguson: It’s sort of been an amazing thing to watch actually, to
- because we all obviously have actors of all different ages in the
cast, and so we’ve watch sort of the younger members of the cast sort of
grow up and become artists in their own right, and that’s been an
amazing journey to follow.
But I would say, as far as all the adults go, it’s stunning that we
haven’t had more problems. You hear about casts and sort of insiding and
whatnot, and everyone really gets along. I think we get along better now
than we ever have, and that’s a really odd thing to be, for our calendar
of six years, into a process like this and to find everybody sort of
really, you know, doing - going above and beyond to respect each other’s
process and respect, the foibles and the complications of working
together.
So as far as the people go, we’ve never gotten along better.
Pattye Grippo: Well, that’s great. And Salli, let me ask you then. In
what ways would you say that you are most like and least like your
character of Allison?
Salli Richardson-Whitfield: Well, it’s funny. I think that I’ve actually
- our characters have become even more alike as the seasons have gone
one. She’s - I think that I’m not quite as, Colin may disagree, as hard
and as tough as I seem.
In this, the last season or so, you get to see a much softer side of
Allison and of - with her being a mom, but still having to juggle work.
So, I think that we’ve - our characters actually have come much closer
and she’s very much like me now.
Pattye Grippo: Oh, great.
Colin Ferguson: Yeah.
Pattye Grippo: And let me end with this the, Colin, you’ve been both an
actor and a director now, which of these do you find more challenging
and which do you prefer?
Colin Ferguson: Well, actually, ask Sal. Sal’s also been an actor and a
director at this point...
Pattye Grippo: Oh, okay.
Colin Ferguson: ...two times over, as has - Joe Morton is also our - one
of our actor/director-(type in it).
What do I like more? At this point, I don’t know. It really - about a
year ago I would have answered the question saying, “Hands down,
directing.” It was new, it was fresh, it was so exciting, and now the
three episodes and a movie at this point and I sort of get it, and I
really embrace both in the same way now. It’s - it really is project by
project, scene by scene in, what you can really do.
I think I’m tired at this point, to give you honest answers - an honest
answer to the question is I’m really tired, so I need - I’m looking
forward to a break so I can sort of replug in and get more energy to do
anything at all. But what I like about directing more is that you get
the questions - you get the story earlier, you can affect change in a
more profound way, and stay with the story longer, and that’s a really
rewarding process to go through.
As an actor, you really are a professional athlete or a hired gun, you
sort of show up on the day and you do your little magic and that’s what
goes on tape. And you’re like it’s a gun slinger-type job. The problem
is you show up so late that sometimes you can’t affect the change that
you’d like to.
So, it’s good and bad for both, but I think we’d all sort of have the
same answer; we really, really enjoy doing both.
Pattye Grippo: Okay, well, great. Thank you both very much for your time
today.
Salli Richardson-Whitfield: Thank you.
Colin Ferguson: Thanks, Pazsaz.
Operator: Our next question comes from Mike Hughes from TV America.
Please proceed.
Mike Hughes: Yeah, a question for both of you. Here you are on one of
the most high-tech series and the first episode coming back you’re both
riding horses, which I got a kick out of. First of all let me ask you,
had you been - had you guys ridden horses in other roles before, and
what was it like?
Salli Richardson-Whitfield: Well...
Colin Ferguson: Take it away, Sal.
Salli Richardson-Whitfield: ...I’ll start with that. I had ridden
before, literally, I mean pretty much my first big film moving to L.A. I
had to ride a horse and I’ve done maybe another job, but I think for all
of us we had some time before to get on some horses and get it back
together.
Luckily for me I was supposed to look ridiculous on the horse, so I
didn’t have to be an expert. And Colin, I don’t think he’ll answer this,
had ridden a lot of horses, but he’s very athletic, so he always gets
everything together.
Mike Hughes: Is that…
((Crosstalk))
Colin Ferguson: I had ridden a couple of times, but not anything
profound and not something where I’d say I was comfortable. And as much
as we get a bunch of work, it was mostly the stunt doubles. When you see
the final show…
Salli Richardson-Whitfield: I know, we were very angry about that.
Colin Ferguson: Yeah, it was like, “What the hell.” but it was fun.
Anytime you get to do something like that where you’re sort of outside
of your zone it’s fantastic. And it’s more, for me anyway, it was less
about the actual skill of riding the horse and more about getting to
know your horse.
So after a couple days it was significantly easier because you just knew
the horse’s idiosyncrasy.
Mike Hughes: And then I just wanted to ask you...
Salli Richardson-Whitfield: And of course, Colin has the mean horse.
Mike Hughes: Okay.
Colin Ferguson: I did have the mean horse. He kept biting on me and…
((Crosstalk))
Colin Ferguson: ...and I was like, “Is it me?” And then the trainer was
like, “No, that’s what he does. That’s just how he…
((Crosstalk))
Mike Hughes: And then, I wanted to ask you just to philosophize about
that in general, it’s such an unusual show that you can pick up a script
and have no idea what kind of a weird direction take yet, and you range
all the way from comedy to romance to, like in this one, mostly
dead-dead serious drama, and then you find yourself riding a horse and
so forth.
What’s it like when you pick up a script and find one of these weird
surprises?
Colin Ferguson: Okay. Well, it depends on the surprise. I mean sometimes
you open up the script and you go, “Oh, that’s going to be amazing,” and
then you open up a script and you go, “Really? Like, really?”, and we’re
going to - okay? “All right. All right.”
Because it could be the middle of winter and they’re like, “Okay, so
you’re stuck in t-shirts on the top of a blizzard,” you know and then...
Mike Hughes: Yeah.
Colin Ferguson: ...you cuss them - and what were you going to say, Sal?
Salli Richardson-Whitfield: Well, I was going to say that’s what is so
fun about doing the show too, is that we get to do - you’re not stuck in
a goofy comedy all the time, you’re not stuck just doing straight drama
or straight little get ups.
You really get to do different things all the time and I think that
that’s what keeps it fresh for us, and why we continue to get better
because you keep - you get to stretch and you get to do different things
and I think that’s why the fans like the show. It’s - you’re not bored
by the same thing every time.
Mike Hughes: Okay, cool. Thanks.
Colin Ferguson: Yeah. Thanks, Mike.
Mike Hughes: Yeah.
Operator: The next question comes from Reg Seeton from TheDeadbolt.com.
Please proceed.
Reg Seeton: Hi guys, thanks for taking the call.
Colin Ferguson: Hello, Mr. Seeton.
Reg Seeton: And Salli, can you talk about some of the issues that
Allison has with Jack now, in relation to where things left off?
Salli Richardson-Whitfield: Oh, gosh, I hope I know what - where - he
thinks this is funny because I never know we - by the time we get to
this season I don’t know what’s going on. I think that...
Colin Ferguson: We’re shooting right now - we’re in the middle of
shooting the season that’ll air in 2012, so we sort of have all that
downloaded into our head, and so it’s now sort of going, “Right.” So,
about a year ago…
Salli Richardson-Whitfield: I think that that the issues that we have
now, now that we’re trying this new relationship on, or seeing if this
is going to happen, that puts a different dynamic into working together.
So, it’s like working with your husband or wife, how do you now balance
both of the two things? And I think that that’s where we start getting
into trouble with each other.
Of course nothing can ever be perfect because that would be boring with
us if we were just all lovey dovey and everything was great. So, I think
that that’s where we start getting into trouble, how can we work
together and do both, and where is that line?
Reg Seeton: And Colin, is Jack oblivious to how Allison is feeling or
does he have a hard time admitting it?
Colin Ferguson: No, I don’t think he’s oblivious, but it’s a funny thing
asking me about relationships; not my forte. I’m not terribly good at
it. But no, he’s not oblivious, but at the same time it’s difficult when
you’re working with someone and having a relationship with them, as
these two characters do. So, you have to give each other more space and
you have to give each other sort of the latitude to be - to have more
off days than, you know, normally you would.
And also she’s - Allison is a character that has two kids, so there’s -
you really got to move slowly and be really patient with that, you know,
if you’re going to try to partner with that. So, I think he’s patient, I
think he’s aware of it, and I think he’s - but we’re dealing with
something in the next episodes we shoot, which is that he’s not aware
of, so there are still bumps and problems to come.
Reg Seeton: Great, thanks guys. Good luck.
Colin Ferguson: Thanks.
Operator: Our next question comes from Joshua Maloney from Niagara
Frontier Publications. Please proceed.
Joshua Maloney: Hi, Colin. Hi, Salli. Thanks for your time today.
Colin Ferguson: Hey, Joshua.
Joshua Maloney: So the two of you are really fun to watch together on
screen. You’ve got really good chemistry. Talk a little bit about that
process, how that evolves, and what you like about working with the
other person.
Salli Richardson-Whitfield: Well, let me stress - let me figure this
out. No...
Colin Ferguson: How do you lie? How do you come up with a good lie, Sal.
Salli Richardson-Whitfield: I think from the very beginning when Colin
and I first did our first scene together, you know, you never know if
you’re going to have chemistry with someone, and ours just - it s just
naturally there. And I feel really corny when I say this, but there’s
something that clicks, because obviously off camera we’re very
brother/sister, jokey-jokey, “Oh, God, we’ve got to kiss.”
But, as soon as that camera rolls and I look into Colin’s eyes, there’s
something that clicks and I always find an instant connection that makes
all of my feelings just sort of come right up to the forefront, and I
feel everything I’m saying with him. And it’s very lucky for us and for
me, I just naturally have a wonderful connection with him when we’re
working.
So, I love it and we know how to work with each other on and off camera.
I know what he needs to do to get what he needs, and he knows what I
need, and we make allowances for each other and we try not to step on
each other’s toes.
Colin Ferguson: And I made - and that definitely attributes to Sal. I
mean, we haven’t had a fight in six years of working together, and
that’s not because I’m easy to work with, that’s because Salli’s amazing
to work with. She’s just top notch and, Sal, I’m actually really
flattered and floored by your last answer to that question, so that was
really sweet. Thanks.
Salli Richardson-Whitfield: Well, it’s true.
Joshua Maloney: So, obviously the first half of the fourth season, a lot
of substantial things happened on the show. For the second half of this
fourth season, if you guys could put yourself back into that mindset,
what sort of is the most exciting thing for you? What are you sort of
excited about the fans seeing as we approach this new season?
Colin Ferguson: I’m looking forward...
Salli Richardson-Whitfield: Colin, I’ll let you have that one.
Colin Ferguson: Okay, sure. Well, we pick up sort of right where we left
off at the end of, I don’t even know what numbers that - it’s Syfy,
right, so it’s like 4.3, it’s 5.2, I don’t know what season we’re on.
So, we pick up right where left off with sort of the big sort of arc of
the season, is the (Estreas), it’s the (Estreas) Project, basically
Eureka going into space. And I was concerned when we started it that it
was going to be just sort of a path like, “Oh, this is the mission de
jour that we’re going to on for 13,” but actually balloons and blossoms
into this fantastically complex plot.
And then, at the end of the season you’re about see it kicks into the
whole next year in a way that you completely don’t expect. So, it’s this
- what I’m really looking forward to seeing is sort of everyone even
next summer going, “Oh, my God. Really? We’re - that’s happening now?”
Because it’s sort of Eureka going into space and do they go into space,
and it’s really interesting.
So, I’m looking...
Salli Richardson-Whitfield: I think...
Colin Ferguson: ...forward to - yeah?
Salli Richardson-Whitfield: Oh, I was saying, I think that’s what so
hard for us is that, I mean really all these episodes that we’ve shot
that you may not see for a little while, that - everything is just
getting so much better and in - and it’s like you just want everyone to
know and you want them to see all this great stuff that’s coming.
They’ve really put everything together well, so it’s sort of hard to
hold back and not tell you everything that’s going on because it’s so
exciting.
Joshua Maloney: Right.
Colin Ferguson: Yeah.
Joshua Maloney: Well, we’re definitely looking forward to it. Thank you,
guys, for your time today.
Colin Ferguson: Oh, thanks, Josh.
Salli Richardson-Whitfield: Thank you.
Operator: Our next question comes from Curt Wagner from RedEye. Please
proceed.
Curt Wagner: Hey, guys. Thanks for the time.
Colin Ferguson: Hey, Mr. Wagner.
Curt Wagner: I wanted to start just, Colin, thanks for showing me to
Jaime office when I ran into on the lot last summer...
Colin Ferguson: You’re welcome.
((Crossstalk))
Curt Wagner: ...and for not calling security. And Salli, hello from your
hometown.
Salli Richardson-Whitfield: Oh, very good. Very good.
Curt Wagner: Now, I wanted to talk a little - I guess you guys talked a
little bit about Jack and Allison being together, finally, with no
issues. I’ve - at least for a little while anyway. I’ve seen the first
three episodes of this round and I’m kind of loving it.
Has that been fun for you to know that, you know, there’s no problems,
we’re going to get to do this for a little while? And then also, do you,
when you see the scripts, sort of wait for the shoe to drop - the other
shoe to drop like I am right now too?
Salli Richardson-Whitfield: Right, I think they’ve found a way to put us
together, but not make it boring.
Curt Wagner: Right.
Colin Ferguson: Yeah, it’s never straightforward. I mean, that’s what I
really liked about it, and that’s what actually Sal and I fought against
really hard for a long time, because the temptation is like, “Oh,
they’re together. Now you guys kiss in every scene,” and we’re sort of
going, “No, no, no, no, no, it’s not realistic and it’s not
interesting.”
And they’ve done a really good job of having very real problems that you
deal with in relationships that keep it both I guess affectionate and
clear that there’s love there, but at the same time very clear that it’s
not easy, and (life) is not easy and relationships aren’t easy, and I
appreciate the realism of that.
Curt Wagner: All right, cool. And then, last year you sort of rebooted
with the new timeline and everything and it - I feel like it really
energized - like reenergized the show a lot, and that seems to still be
going through with these new episodes. I really kind of want to talk
about a lot of detailed stuff, but I know we can’t do that.
But, could you guys just sort of talk about how things change when you
had the new timeline? And also, are you surprised that the show’s been
around and lasted so long?
Salli Richardson-Whitfield: I think you’re always surprised when your
show gets picked up the first time. But now I think the show is so good,
like I said, especially the ones we’re shooting now in these last few
seasons, that I would be more surprised when we’re not picked up because
it’s such a good show now and it’s just gotten so much better.
And then, Colin, you talk because I’m forgetting the other part of your
question again.
Colin Ferguson: Yeah, the other part was sort of the timeline reboot and
how it energized...
Salli Richardson-Whitfield: Right.
Colin Ferguson: ...the - I would agree with that. I think the show is as
good as it’s ever been. That had to do with sort of a big shift down
here in the writers room and, sort of finally finding our footing and
getting our way back after the writer’s strike and all of the big
Hollywood problems that happened. It made it really difficult even to
know if you were going to have a job.
So, we have a really solid group of writers and a really sort of core
group of people that hasn’t changed, so that’s why it sort of feels
really energized and is really firing on all cylinders.
As far as the reboot and the energy that happens with that, I think
that’s symptomatic of the changes that happened. We really found our
footing and the reboot was sort of this symbolic gesture on behalf of
the network that we were allowed to do what we wanted to do. I mean,
they went in to the network and said, “We want to go back in time, and
then come back and change everything and never address it.”
And normally when you got into a network and say that they go, “No.” One
of the biggest characters on the show is the Town, so to change the Town
is a really tall order and it was a big sign off on behalf of the
network as a gesture to say that the writers knew what they were doing.
And I think the writers sort of, when they got that gesture, they filled
confidence and it just redoubled on itself until we sort of had the
energy that we have now.
Plus, the casting that’s gone on has been...
Salli Richardson-Whitfield: Yeah.
Colin Ferguson: ...unbelievably helpful. I mean we’ve got Felicia Day,
we’ve got Wil Wheaton, we have Wallace Shawn coming in, we have Dave
Foley coming in, and it’s just - I mean, God Bless recession, right?
Like, those names - that’s great to get all those people in to the show.
You know, so and...
Salli Richardson-Whitfield: And they fit perfectly and we love them. I
mean, these are people...
Colin Ferguson: Yeah.
Salli Richardson-Whitfield: ...who they don’t come on and you’re like,
“Oh, my God, can we get rid of these people as soon as possible.” Their
just wonderful people to be around and you - and they just fit in our
show so perfectly.
Colin Ferguson: Yeah, and also what’s happened is they’ve - there was a
decision made to write me lighter because I was just getting too tired
and really bored at the sound of my own voice, unlike this
(unintelligible), which clearly I’m not for the sound of my own voice.
But, the - like - and so what happened was all of a sudden these
characters who were so developed and so worthy of having this big long
plots are getting way more screen time, and very deservedly and I think
it makes the show a lot more interesting.
Curt Wagner: All right. And then the last thing, Salli, what did you do
with your big cutout of Allison that you took from Café (DM) last year?
Salli Richardson-Whitfield: Oh, it’s so funny. It is sitting in my
children’s playroom and I think it’s so Mommy can be there when I’m
stuck in Vancouver. But, yes, I did steal my cutout and it is literally
sitting in the corner of their playroom. And my little boy, every once
in a while...
((Crosstalk))
Salli Richardson-Whitfield: ...he goes, “It’s ma.”
Colin Ferguson: That’s great. It’s big brother, but big mother, right?
Salli Richardson-Whitfield: Right.
Curt Wagner: That’s awesome. All right, thanks. So, we’ll see you in San
Diego again.
Salli Richardson-Whitfield: Okay, see you soon.
Curt Wagner: Bye.
Colin Ferguson: Bye.
Operator: Our next question comes from Sheldon Wiebe from
EclipseMagazine.com. Please proceed.
Sheldon Wiebe: Thanks for doing this.
Salli Richardson-Whitfield: Oh, no problem.
Colin Ferguson: Oh, pleasure.
Sheldon Wiebe: Just wondering, Colin, if you were a little disappointed
in the Canucks this year.
Colin Ferguson: I’m from Montreal myself, so...
Sheldon Wiebe: Ah.
Colin Ferguson: ...although I would have loved the Canadian team to win,
to be honest the Bruins played better and you can’t (progress if) the
better teams are winning.
And as far as the Canucks go, you know, you’re going to drop a game 8 to
1, don’t do that in the in the Stanley Cup final. You just don’t get to
do that, so...
Sheldon Wiebe: Terrific, thanks.
Colin Ferguson: ...you know, hats off to them. They played a (great
game).
Sheldon Wiebe: Okay, as for the show, it seems like this season, I guess
it’s 4.5 or something, there’s a lot more emphasis placed on
interpersonal relationships. And I’m just wondering which ones you
enjoyed reading in the scripts more as they were being developed, the
slow progression that finally is starting to pay off between Jack and
Allison, the more combustible Jo and Zane, or the tentative baby steps
that are happening between Fargo and Dr. Holly Marten?
Colin Ferguson: Fargo and Holly.
Salli Richardson-Whitfield: Fargo and - I vote for Fargo and Holly too.
Colin Ferguson: Fargo and Holly.
Sheldon Wiebe: Why?
Salli Richardson-Whitfield: Because they’re both so darned cute that -
I’ll say that because he can’t say that. Go ahead, Colin.
Colin Ferguson: Yeah. No, they’re just great. It’s one thing when a
relationship started, going through its paces, and that’s where - we’re
into ours and no one finds their own (lives) too interesting.
But, that’d be funny, wouldn’t it. Like, “No ours is the most
interesting,” by far.
Salli Richardson-Whitfield: Yeah, ours is really by far the best story
line.
((Crosstalk))
Colin Ferguson: …some of the best work on the show. And to be honest,
you didn’t mention it, but I would say my second one is actually Henry
and Grace.
Salli Richardson-Whitfield: Yep.
Colin Ferguson: I really like that relationship too. There’s something
really warm and there’s something really warm and genuine of both of
those relationships and I respond to them in a way. It’s also really
nice to - that they have these relationships going, so I think I respond
to that. But, that’s why I like them.
Sheldon Wiebe: Cool. And lastly, yet another relationship, will we see
anymore of the Sarah/Andy relationship in any substantive way?
Colin Ferguson: Yes, a very...
Salli Richardson-Whitfield: Okay...
Colin Ferguson: ...substantial way, yeah.
Salli Richardson-Whitfield: Yeah.
Sheldon Wiebe: And this...
Colin Ferguson: Yeah, they’re - that’s also a great relationship, but -
and I know it’s really popular, give Sarah the house, and he’s a robot,
and all that stuff. But - and they’re all fantastic actors. So really,
Grace is in two relationships, you might say, as Sarah...
Sheldon Wiebe: Absolutely.
Colin Ferguson: ...and Fargo; double duty.
Sheldon Wiebe: Can you tease the Sarah/Andy just a little, give you us a
little hint?
Colin Ferguson: Sure, yeah. They take their relationship forward in a
very profound way and we all have to make do as we live inside of her.
Sheldon Wiebe: Sounds wonderful.
Colin Ferguson: Yeah.
Sheldon Wiebe: Thanks so much for your time.
Colin Ferguson: Thank you so much.
Operator: Our next question comes from Keshaunta Moton from Poptimal.com.
Please proceed.
Keshaunta Moton: Hi, thank you for taking the call.
Salli Richardson-Whitfield: Hi, thank you.
Colin Ferguson: Oh, pleasure. Thank you for calling.
Keshaunta Moton: We talked earlier about, Colin, you’re a director, but
Allison you - I mean, Salli, you’ll be directing an episode this season.
Can you tell us more about how it felt to lord over your - rest of your
cast mates?
Salli Richardson-Whitfield: Oh, I love it, lord over. That’s exactly
what it - well, I did one last season, I guess you guys will be seeing
that coming up this season. I don’t know. But, I - and I just finished
the one that I’m shooting this season. Actually, just finished editing
it yesterday, and I just love it.
I had to - it’s such a different thing from acting and it’s so - you
really have to be a - my micromanaging in real life has - it works very
well for directing, and it’s something that I would like to be the next
step in my career. I have a great - luckily I have wonderful actors, you
don’t really have to direct that much more than say, “Can you tweak this
one line?”
And I just found that I think that it’s something that comes naturally
to me and you don’t know it until you get in there and do it. And I’m
hoping to do more and more of it. And really, directing on Eureka has to
be one of the best training grounds that any director could have because
you get to do these wonderful dramatic story lines, but at the same time
you get to learn about visual effects and green screen and you have
stunts, you have comedy.
I’m learning these great skills to go to any other show that, and
particularly not very many women know how to do, let alone Black women
in this industry. So action is a man’s - action and visual effect stuff
is usually the job that they hire men to do, so I feel very blessed to
learn these skills that I can take on and do - hopefully do a lot more
things.
Keshaunta Moton: Okay. And Colin, how was it for you? Were you like a
model actor or were you like poking at her with a stick?
Colin Ferguson: No, I mean it - the funny thing is its really nice when
one of us does direct because it’s always great to have a cause to rally
behind. We’ve done, I don’t know how many episodes, close to eighty at
this point, and you go, “Okay, great. At least there’s a reason to show
up today,” you know? (But I go with) Salli’s episode it’s like, “Oh,
great. Okay, well this is sort of cool.”
And to the extent, what Salli’s saying, it’ s not only that you have to
know how to do it on our show, I mean we’re a cable show, so we don’t
have $4 million a week to get this stuff done. You can’t learn on the
fly, you have to know how to do it and know how to do it quickly. You
can’t figure it out. So, it’s great training ground because it’s trial
by fire, which is fantastic.
When I’m directing I’m all about making the day, and being relaxed, and
I like a calm environment at this point, so I respond to how Salli
directs because she’s very calm and she knows what she wants.
Keshaunta Moton: Okay. And what has...
((Crosstalk))
Keshaunta Moton: ...been your guys’ favorite Allison and Jack moment so
far?
Salli Richardson-Whitfield: Oh.
Colin Ferguson: Favorite moment? I’d go back to magnetic fence.
Salli Richardson-Whitfield: I know - well, that one we have that was in
our first season we got stuck together on this fence, but I also like
when I was pregnant and the baby was kicking, that - do you remember
that?
Colin Ferguson: Oh, yeah. That was - we were on the couch.
Salli Richardson-Whitfield: Yes, we were shooting this wonderful scene
in my office when I was enormous at the time, and it was a very sweet
scene where he’s touching my stomach. But literally, when we were
shooting every time Colin would touch my belly the baby, because I was
really pregnant, the baby would kick right on his hand, like with every
single take, Little Dre would go crazy in my stomach, so it was kind of
funny.
Colin Ferguson: Yeah, and Dre is a model athlete at this point in his
life, so it really is no surprise that he ended up kicking on queue
every single time.
Keshaunta Moton: All right. Thank you, guys.
Colin Ferguson: Thanks.
Operator: Our next question comes from Jenny Rarden from
TVIsMyPacifier.com. Please proceed.
Jenny Rarden: Hi, guys. Thank you so much for taking our calls.
Salli Richardson-Whitfield: Thank you.
Colin Ferguson: Hello, Jenny.
Jenny Rarden: Colin, I’ve spoken with you before. It’s been a while, but
I have to say that when I got the notice about being able to talk to you
both I was absolutely thrilled, because I’m unashamedly a Carter and
Allison (shipper).
Salli Richardson-Whitfield: Oh, God.
Colin Ferguson: Man, you’re -go Jenny.
Jenny Rarden: And in - then in addition to Carter and Allison, I’ve been
a big Jo and Zane (shipper) too. While the timeline shift worked out
well for your characters, it didn’t work out so great for them as a
couple. Can you give us any good news regarding their relationship on
the episodes coming up?
Colin Ferguson: Well...
Salli Richardson-Whitfield: Can we?
Colin Ferguson: ...we can. They go through a lot and they keep going
through a lot for the next year. And really, as of right now, we’re
still on the fence on if they’re going to pull through, and that’s a
while later. Those two go through the - they go through it, you know?
They definitely love each other, but that - but it’s a hard one. It’s
hard to watch sometimes when two people keep missing each other in the
night, and then ultimately do or don’t get together you go, “Oh, God,
guys, just figure it out.”
Salli Richardson-Whitfield: And isn’t...
Jenny Rarden: Right.
Salli Richardson-Whitfield: ...that real life?
Colin Ferguson: Yeah.
Jenny Rarden: It is. It is. Well, what is - my other question is, what’s
the rest of the season looks like for Carter and Zoe? Will we be seeing
anymore of her in Eureka?
Colin Ferguson: Yes. Jordan definitely came back a couple times that
season. She was actually over here yesterday. She’s my designer. I’m
getting some renovation done on my house and I’m going to be out of
town, so I’ve (unintelligible) Jordan. She did. She came by with my
contractor, (Leif), Jordan and myself and she’s handling all the design.
Colin Ferguson: So, I’m going to come back to a house that she - Jordan
is designing, which is…
Salli Richardson-Whitfield: And that a 21-year old is designing.
Jenny Rarden: That’s great.
Colin Ferguson: Exactly. Yep, my closet’s going to be filled with
Forever 21. Yeah, no, it’s great. I mean, it’s one of my favorite
relationships and it’s been amazing to watch her grow from a 13-year old
to now being 20 and watching her life bloom into what she’s created it
today, and yeah, I love her and I love that relationship, and yes she
comes back.
Jenny Rarden: Great. Well, thank you guys very much.
Salli Richardson-Whitfield: Thank you.
Colin Ferguson: Thanks.
Operator: Our next question comes from Suzanne Lanoue from The TV
MegaSite. Please proceed.
Suzanne Lanoue: Hi, one thing I really liked about your guys’ show is
how it really emphasizes the science in the science fiction, and I was
wondering if either of you had much of an interest in science before you
joined the show?
Colin Ferguson: Yes, definitely.
Salli Richardson-Whitfield: Me would be no. I stumble through all my
tech talk. Great to the guys they - they love that joke because I’m
always...
Colin Ferguson: Yeah, which is a great blooper reel that we won’t ever
show. A great blooper real.
Salli Richardson-Whitfield: We know when we’re doing a read through when
they’re giving me this tech talk and we’re just reading the script for
the first time and I’m like, “Oh, you guys are killing me.” I’m fine
once I...
Colin Ferguson: Yeah.
Salli Richardson-Whitfield: ...get there, but that first time I go
through it I’m like, “Oh.” So, I...
Colin Ferguson: Well, we also mess with Salli, and Sal actually my
sister was in Hawaii two weeks ago and she was like, “Oh, we’re going to
Haleakala to hike the volcano.” We play - because we’ll purposely
mispronounce words for about ten minutes just before Salli has to do it,
like Haleakala. Like, I think it’s Haleakala. I’m pretty sure it’s
Haleakala. Is it Haleakala? It’s (pronounced) - it’s Haleakala. So...
Salli Richardson-Whitfield: And I hate messing up on stuff, so I’m like,
“Stop it. Stop it. I can barely remember this as it is.” So for me...
Colin Ferguson: Yeah.
Salli Richardson-Whitfield: ...it’s very hard, but Colin is very - the
person who doesn’t really have to do it, probably is the one who would
be the best at it.
Colin Ferguson: I like it. I like science. I like the words. I like the
thing. I mean we go into it in a show in an intensely more detailed
manner than I ever do on my own, but I’m always interested in sort of
what’s going on technologically.
Suzanne Lanoue: Do you ever get fans coming up to you and asking you
strange questions about the science and stuff on the show, like the…
((Crosstalk))
Colin Ferguson: No, when fans come up to me it’s always like, “Are you
the Dirty Jobs guy,” you know? And I’m like “No,” and it’s like, “Oh,
you’re the Eureka guy. You’re smaller than I thought.”
Suzanne Lanoue: Is that...
Colin Ferguson: I get - I take that to mean I read as incredibly manly
on screen, that’s what I think that means. But I’m six feet, I’m not
small. So, I don’t know what...
Salli Richardson-Whitfield: No, he’s not - yeah. I’m always...
Colin Ferguson: ...I’m mostly...
Salli Richardson-Whitfield: ...surprised that people, especially when we
go to Comic-Con and stuff like that, I’m always surprised that they
aren’t asking more questions like that, because our fans, they love that
stuff, but they don’t seem to ask - they really like the relationship
stuff, which is cool.
Colin Ferguson: Yeah, and...
Suzanne Lanoue: Right.
Colin Ferguson: ...I’ve got to say, our fans are amazing. It’s like the
most respectful, kind group of people. You hear the myth, and I’m going
to call it a myth, Sci-Fi fans being crazy and intrusive and, boundary
issues and all that stuff. And so, coming into it people were sort of
like, “Whoa, watch out,” and I’ve found exactly the opposite experience.
People - they’re like, “Oh, really like the show. Thanks. I don’t want
to disturb you, but,” you know, and really, really respectful and
differential and I love our fans.
Suzanne Lanoue: Oh, that’s so nice. I’m sure the fans love you too. I’ll
speak for them and say they do.
Colin Ferguson: I believe you.
Suzanne Lanoue: My last question was - now it went out of my head. See,
that’s what I get for trying to be funny. Oh, I know. Is there
anything else you can tell us about what’s coming up this season or next
that you can divulge, any spoilers, or anything?
Salli Richardson-Whitfield: Can we...
Colin Ferguson: Can’t really divulge any spoilers. We’ll be strung up
and hung if we do, but I mean what we said already, which is the (Estreas)
stuff, it’s - and that’s the key work for the next season. And then that
key is off the next season after that. Sal, do you remember any episodes
in particular?
Salli Richardson-Whitfield: Are you (being)...
Colin Ferguson: Obviously, we have the...
Salli Richardson-Whitfield: ...funny?
Colin Ferguson: ...first one, so we have the one where the power goes
out. We have - what the heck is - oh my lord, my brain is just shutting
down. I remember the...
Salli Richardson-Whitfield: I don’t remember anything.
((Crosstalk))
Salli Richardson-Whitfield: And I let him know in the beginning, I don’t
remember anything.
Colin Ferguson: She has no need...
((Crosstalk))
Suzanne Lanoue: I’m sorry. I didn’t get that. What?
Colin Ferguson: No, we actually can’t cite anything that we have coming
up. Sorry. It’s - we’ve been warned about spoilers and what not, so we
can’t help you on that.
Suzanne Lanoue: Well, that’s (okay). Thanks for trying.
Colin Ferguson: Okay, thanks.
Operator: Our next question comes from Brandon Sites from
BigDaddyHorrorReviews.com. Please proceed.
Brandon Sites: Hi. Thanks for taking my call - or I’m sorry our calls.
My question is for both Colin and Shelli (sic). Now, with the Eureka
show there’s a lot of things that seem to be way out there, like the
change in the timeline, for example. How are the two of you able to
relate to all the unusual things going on in the show so that you can
turn in a performance that is - that’s real?
Colin Ferguson: That’s actually difficult. It requires a lot of
communication and it requires a lot of trust. And you build that up
with, for example, the vis effects guys, you know, over time. Acting to
green screen is - if you don’t know how to do it it can be one of the
more humiliating things that you can do, because you don’t know to ask
certain questions. You don’t know to say, where’s the outline? How big
is the explosion? Is everybody going on the same queue? No, stop this.
Okay, we need everyone moving on the same queue. Can we move the queue
to unify everybody?
And it’s all those sorts of tricks and necessities that if you don’t do
you’ll see the show and I’m sure you’ve seen it where you’re like, “Wow,
that doesn’t work,” you know?
Salli Richardson-Whitfield: Yeah, and it’s so funny that that stuff has
sort of become second nature now...
Colin Ferguson: Yeah.
Salli Richardson-Whitfield: ...for us, you know?
Colin Ferguson: Yeah, absolutely.
Salli Richardson-Whitfield: And I think that it’s helped us to go direct
this stuff because you realize that you know how to direct it because
you’ve had to act it so much that you don’t - you’re not as lost as you
may have been if you had never done - had to be an actor doing visual
effects all the time.
Colin Ferguson: Well, a lot of times you’ll be working with an actor and
you’ll see them, and you’ll see them drowning. You’ll see them flailing
on something. And the perk of having - of being an actor is, gee on this
one show, probably done 500 days, is that you can sort of go, “Oh, I
know where they are. Okay, this is what they need.”
And you can come and go, “Right, I’m going to give you a queue for that
moment so everybody can get on the same thing.” And it’s usually
something like that, which is the silliest easiest thing in the world to
do, and it’s night and day for an actor. It makes all the difference.
And the fact that you can provide it for them they go, “Oh, thanks,”
because they, you know, not sure if they can ask for it or not sure what
they should ask for, but they know they’re not hitting it and they’re
sort of looking around like, “Please help me”.
Salli Richardson-Whitfield: (Yeah).
((Crosstalk))
Brandon Sites: And my other question - I’m sorry, my other question is,
what’s been your guys’ favorite scientific invention on the show?
Colin Ferguson: Favorite scientific invention? The (bosencoladicsider).
Salli Richardson-Whitfield: Yeah, right
Colin Ferguson: My latest - (well, that they) make some castings from
space, which cracks me up. It’s like, “Oh, fire up some (bosencoladicsider).
We’re going to catch something from space.” You know how hard that is?
It was like, “Okay, fire it up.” And then there’s that one scene where
Zane’s like, “I got an extra bosencoladicsider.” Yeah, funny stuff.
Well, just to get back to the other question for just a fraction of a
second. The other thing that you do is you make it physical and you make
personal with the science. It’s the only way to make it through. You
choose, is it hot, does it smell, does it sound - is it loud, is it
bright, do you have to struggle to see it? It’s all those things that
you can put into your body and the choices that you make about it that
you use to unify it with everybody.
So, when you go into a scene like that you also say, “Okay, this is loud
or this is really bright,” and you know if everybody’s sort of reacting
the same way it just helps. And any little thing you can do to help
sell, so that’s also how we deal with the science is that personalizing
and physicalizing.
Brandon Sites: Okay, well that’s all the questions I had. Thank you for
your time.
Salli Richardson-Whitfield: Thank you.
Colin Ferguson: All gone. I’m sorry, Sal, I spoke over the entire time.
You’ve got the next question. I won’t - I’ll shut my mouth.
Salli Richardson-Whitfield: Is it - listen, you know I’ll come in if I
have something to say.
Colin Ferguson: Okay. All right.
Operator: Our next question comes from (Kelly DiMarcio) from
TheVoiceofTV.com.
Kelly DiMarcio: Hi, guys. How are you today?
Salli Richardson-Whitfield: Hi.
Colin Ferguson: Hello.
Kelly DiMarcio: Well, Eureka has such a wide appeal, I actually go
hooked because my ten-year old daughter introduced me to the show.
Salli Richardson-Whitfield: Oh.
Kelly DiMarcio: What do you think is a special ingredient that gives
is such a draw to all ages?
Salli Richardson-Whitfield: Well, I think - oh, you got an idea?
Colin Ferguson: Take it away, Sal.
Salli Richardson-Whitfield: Oh...
Colin Ferguson: I’m sure I do, yeah, I could - me? I could blah, blah,
blah, blah, blah.
Salli Richardson-Whitfield: I mean for me, especially these last few
years we’ve been doing it, I think it’s just really the mixture. We were
talking earlier that we have comedy, we have love, we have drama, we
have the big explosions, and I really think that there’s something for
everyone.
And it’s also kept clean enough that you can have your ten-year old
watching the show and you’re not having to usher them in the other room,
but it’s not done in a corny way where adults can still enjoy the show.
They really found a happy medium where anyone really can watch and enjoy
it.
Colin Ferguson: Yeah, we try to put in as much - I remember the first
season, it was - the mandate came down and were always being chastised
saying, “This is not a comedy,” you know, “Stop putting - stop doing
that, stop putting the jokes in. This is not a comedy.” All the
directors were told, “This is not a comedy.” Because they were coming
off Battlestar and it was going to be serious and all that stuff.
And I think the comedy that we throw in and the writers write in really
helps. It helps us take the sting off of ideas and be a little more
self-aware and make it fun. When the show began I really wanted it to be
dark and edgy and all this stuff, but then as we started hearing from
people, like, “Oh, we watched this - we watched this with our parents or
I watched this with my kids, and my grandparents watch it.”
And I guess I’ve gotten older I’m really proud of that. I’m really proud
- I mean, it’s a little better than it used to be, but for the last
bunch of years it was all CSI and all murder and rape and just TV was
hard, and it was really nice to do a show that people could watch
together. It became a source of pride for us.
So, what makes that work? I think we got lucky. We - the right combo
worked and we were on a network that was patient enough to keep us on
the air and if we knew what worked we could probably do it again,
which...
Salli Richardson-Whitfield: Yeah...
Colin Ferguson: ...is impossible.
Kelly DiMarcio: Well, I can tell you as a parent, I really appreciate
that I can watch the show with my daughter and enjoy it with her. And
she wanted me to ask, what is the funniest thing you can recall that’s
gone wrong on the set so far this season?
Salli Richardson-Whitfield: Has gone wrong?
Colin Ferguson: That has gone wrong? Yeah, there’s always something
going wrong. What happened this year? Some things go wrong and they’re
not funny, like when Frasier had his collar bone ripped out this year.
That was funny.
Kelly DiMarcio: Oh.
Colin Ferguson: It was the one stunt I’ve ever said, “You know what,”
I’d been going through a rough time personally and I said, “You know
what, I don’t know the scene. I can’t do it. I just - have Frasier do
it.” And Frasier went to do it and it tore out is collar bone and I was
like, “Okay.”
So we have things like that, but I would say the funniest thing that’s
gone wrong, what would that be? Probably Neil Grayson, a couple years
ago, and jump in Sal if you have one, but when he was - we use this
stuff called Methocel, which is - Methocel is the stuff that’s in
McDonald’s milkshakes and it’s like a food additive. And one of the
properties of Methocel, when you get covered in it, is that it wicks all
the heat from your body, and then dries so it’s really, really cold.
So, basically getting covered with stuff is sort of always an exercise
in - and you know Neil was supposed to shoot first and ended up shooting
six hours later, so he was covered in this stuff. I think he was painted
green, standing in his trailer for six hours and that's because you’re
covered and you can sit down and you can’t do anything, (and he has
glasses) and he’s functionally naked because he was naked in the scene.
So, he’s got this little banana hammock and a bathing suit on, going
like - I - you know, that was - that provided us with endless amusement.
And then, I guess right before we stopped shooting I was supposed to get
- I was, peppered with paintballs, and those - they hurt, but there’s
this giant plaque that they’re supposed to be pounding on, which they
systematically missed more times than they hit over the course of the
scene.
Kelly DiMarcio: Oh, no.
Colin Ferguson: And I’m supposed to be reacting like I’m in pain, which
is like good and then after the scene, “Aren’t you bruised?” In like
four or five different places for like a week. Those things kill, the
paintballs, so we always get up to no good with stuff like that.
Salli Richardson-Whitfield: Yeah, Colin usually is the one getting
tortured. I’m going to tell you...
Colin Ferguson: Yep.
Salli Richardson-Whitfield: ...I can’t talk about it, I’ll be - Colin’s
episode coming up, I think I’m going to get some torture in there. They
found a way to torture me, but yes, he’s usually the one getting it all.
Colin Ferguson: Well, there was the one where I was - I still - I’m
positive I got a concussion on that one when Matt was directing and he
was slamming my head into the top of the jeep. Do you remember that? I
was on the (crane), and they were like, “Just drop him,” and we couldn’t
get the shot and he was like dropping me ten times in a row on the top
of the Jeep and I was like, “Really”? And he was like, “What?”
Salli Richardson-Whitfield: Well, I think there’s one where, and I don’t
want to say who does it, because I’m not sure when it comes, but when
you keep getting slapped.
Colin Ferguson: Oh, yeah.
Salli Richardson-Whitfield: Yes. Yeah.
Colin Ferguson: That got old.
Salli Richardson-Whitfield: Yeah.
Colin Ferguson: Yeah.
Kelly DiMarcio: Well, thank you so much.
Salli Richardson-Whitfield: Thank you so much.
Colin Ferguson: Oh, and yes, and thank your daughter for watching for us
too, it’s - we appreciate that.
Kelly DiMarcio: I will. Thanks.
Colin Ferguson: Okay.
Operator: Our next question comes from Anne Louise Bannon from
YourFamilyViewer.com. Please proceed.
Anne Louise Bannon: Yeah, talking to Salli about the young kids watching
and things like that, one of the things I’ve always been very impressed
by with Allison’s character is the fact that she’s not only very smart
and very good looking, she’s not a traditional scientist.
Salli, could you talk a little bit about what it’s like to be a role
model in that way?
Salli Richardson-Whitfield: Well Allison isn’t really - somehow I’ve
become - I know - I seem to know all this science, you know, I really
came in, I worked for the Department of Defense, but I was a medical
doctor and...
Anne Louise Bannon: Right.
Salli Richardson-Whitfield: ...somehow through osmosis now I know every
bit of science that everyone else seems to know. But, I think it’s my
daughter, who is six, loves watching the show, and for me...
Colin Ferguson: Oh, Sal, hold up. Sal, if I remember correctly, we had
deemed that episode that it was going to be established, they were going
to make you a nurse.
Salli Richardson-Whitfield: Oh, yeah, and...
Colin Ferguson: Do you remember that?
Salli Richardson-Whitfield: Right, I was still...
Colin Ferguson: Yeah.
Salli Richardson-Whitfield: ...I was like, “Why a nurse?” Wasn’t I upset
about that? I was like, “Absolutely not.”
Colin Ferguson: You were pissed off, yeah, and now you’ve made yourself
a doctor and now you’re screwed. You’ve got to know everything.
Salli Richardson-Whitfield: And now I’m mad because I have to do - but
at the time I felt that, you know, why wouldn’t this really intelligent
woman, why wouldn’t she have gone all the way and gotten her medical
degree.
But I think it’s wonderful for my daughter who usually only sees a lot
of my friends who are in the acting business, because she loves the
show. We get to talk about that there are other avenues for women and
other jobs to think about, and that our show kind of shows that being
smart is kind of cool and kind of fun, and she really gets that and she
likes that about the show.
Anne Louise Bannon: Also, the character of Beverly Barlowe, who was in
that first season, and then came back and I think she did at the time.
I’m trying to remember now. But, are we going to be seeing more of
Debrah Farentino?
Colin Ferguson: Yep.
Anne Louise Bannon: Oh.
Salli Richardson-Whitfield: That’s all we can say.
Colin Ferguson: Yep, she’s coming back. But, that’s tied into like the
spoiler of spoilers, so that’s about all I can say on that. But yeah,
she’s coming back and coming back with a vengeance.
Anne Louise Bannon: Oh, that ought to be fun.
Colin Ferguson: Yeah.
Anne Louise Bannon: Yeah. Okay, and I guess that’s it for me, but thank
you, guys, for taking the time.
Salli Richardson-Whitfield: Okay, thank you.
Colin Ferguson: Well, thanks. Appreciate it.
Operator: Our next question comes from (Mary Pasqual) from Culture
Brats. Please proceed.
Mary Pasqual: Hi you guys. Thanks for talking with us.
Salli Richardson-Whitfield: Thank you.
Colin Ferguson: Pleasure.
Mary Pasqual: Hi. My question is in the past you’ve done some
character crossovers, will we be seeing more of that in the - with other
shows this season?
Colin Ferguson: I think Grayson’s doing another one.
Salli Richardson-Whitfield: Oh, is he? Okay.
Colin Ferguson: I think so. Yeah, I think he’s doing another - it’s so
hard. I think they did one in February, so that’ll air this summer. He
and Skaggs are - or he’s going to Warehouse 13 again, I believe, but I
could be wrong, but I think that’s correct, and I don’t think anyone
else is.
I mean the hardest thing is because we all shoot at the same time, so
the idea that, you know, I could get free or Salli could get free is
just not - it’s not in the cards.
Salli Richardson-Whitfield: Yeah, not...
Colin Ferguson: We’d love to. In fact, Jack and I, the Executive
Producer of Warehouse 13 were actors together in a show in 1999, so I’ve
known Jack for about 12 years and I’d love to go up and work with him on
a show. I think it’d be hilarious.
Mary Pasqual: So, do you find that when you do character crossovers
does it change the dynamic on the set?
Colin Ferguson: Well, I would imagine, speaking for myself, if I was to
go over to Warehouse 13 and - it’s a tough one. You have how you like to
work, but it’s their home and it’s their show, and what they need for
their show trumps anything that you’re - that you could, - I know Jack
and I know Eddie very well because we did The Circuit together for - I
mean the (backing) Circuit for a while, and I did a movie with (Joann).
And so, I know - and then Saul did an episode of Eureka and Skaggs has
been on Eureka, so we know them all and we know how - they’re so kind
and respectful it wouldn’t be a problem. But, first and foremost in our
minds would be like, “What do you guys need,” you know? “We’ll supply
you with what you need.”
Mary Pasqual: Absolutely. And let’s see, actually I think that’s it.
Salli, would you ever do a character crossover yourself?
Salli Richardson-Whitfield: Oh, of course. Like Colin said, if they find
the time I would love to go do it. It’s always fun to go do something
different, even though we would be doing our character it’s fun doing
someone else’s show.
I think that I’d - honestly I’d like to go over there and direct the
show. I think that Colin would to.
Colin Ferguson: Yeah would be great. Good plug, Sal, good plug. Well
done.
Salli Richardson-Whitfield: (Have) us over. I think that - we’ll act in
it if you let us direct it. How about that?
Colin Ferguson: Yeah, exactly, exactly, exactly.
Operator: Our next question comes from Jamie Ruby from Sci-FiVision.com.
Please proceed.
Jamie Ruby: Hello, thanks for taking our call today. So how...
Colin Ferguson: Hi, how are you doing?
Jamie Ruby: Hi, good. So, how are each of you most and least like your
characters.
Colin Ferguson: Hold on, I’m just Tweeting your thing right now, because
you’ve been Tweeting the whole time, so now I’m Tweeting...
Jamie Ruby: Yes, I have.
Colin Ferguson: ...as you’re asking the question. Ah-ha, so what was
your...
Salli Richardson-Whitfield: No.
Colin Ferguson: ...question?
Salli Richardson-Whitfield: Okay, I can’t do...
Jamie Ruby: I had just...
Salli Richardson-Whitfield: ...both, you’ll never talk to me, okay?
Jamie Ruby: I’m getting better at it. How are you both like and not like
your characters?
Salli Richardson-Whitfield: Well, I answered this one earlier so, Colin,
you go for it.
Colin Ferguson: Well, I’m a Sheriff in real life, so (that sums that
up). No, I think - how would I say I’m like him? Personality-wise we’re
pretty similar at this point. They’ve done an amazing job of taking the
best of me and making it palatable for other people, so yeah, the
personality is the same.
I guess the biggest difference would probably be relationships, I guess.
He has a steadfast (and that’s how he makes things work), with Allison
and he pushes through the problem, and that’s something that I’m working
on in my own life.
A hard thing working out of town and trying to get something going back
in Los Angeles, but that would probably be the biggest difference. But
you know what, I’m working on it and...
Salli Richardson-Whitfield: And you’re also...
Colin Ferguson: ...I’ll figure it out.
Salli Richardson-Whitfield: ...much smarter than they try to portray
you.
Colin Ferguson: That’s true. Yes. I mean, yes, I can say that.
Salli Richardson-Whitfield: You can’t say that. I can say that.
Colin Ferguson: All right, I’m a little - I’m (emphasis) slightly
brighter than my character at times.
Jamie Ruby: Great. So, to both of you, what have you most learned about
yourself since you started this show, or maybe the way you’re life’s
changed the most?
Colin Ferguson: Well...
Salli Richardson-Whitfield: Well...
Colin Ferguson: ...this is sort of crazy. Sal, do you want to take it or
should I?
Salli Richardson-Whitfield: I feel like I have grown so much as an
actress and have learned that I’m better than I knew I was. I’ve just
learned to really trust myself and I mean we’ve been there a lot of
years now and...
Colin Ferguson: Yeah.
Salli Richardson-Whitfield: ...you know, even though I didn’t come in
there as a 20-year old girl, I’ve definitely grown up on this show and I
feel like there’s nothing that you could throw at me as - in particular
as an actress leaving here that I couldn’t do, and I’ve learned that
from being on the show.
Colin Ferguson: Yeah, I would say Salli is doing the best work she’s
ever done. I would say even in between last year and this year it’s
amazing to see someone who you think is like, “Oh, she’s Sal and she’s
great and Sal, she knows what she’s doing, and she turned it up.”
I think she did a movie in the off-season. What was the name of the
movie, Sal?
Salli Richardson-Whitfield: Oh, I Will Follow, thank you.
Colin Ferguson: I Will Follow, which did amazingly, and the amount of
confidence and presence and she’s added sort of this improvising aspect
to her work right now, which was never really a part of what she would
do.
She would all of a sudden this year it’s like, “I’m going to say this.
I’m going to go over here. I’m going to do this,” and it’s like, “Oh, my
God,” and it’s amazing to see all of this in her own way, add little
bits to our repertoire as we go through things. It’s really encouraging.
Salli Richardson-Whitfield: Well, and Colin...
((Crosstalk))
Salli Richardson-Whitfield: ...has always had that, which is an amazing
talent, that he can come up with the line right there and change this
and do that, and it just happens so naturally. And that’s something I
was always afraid of and Colin has never been afraid to be big and go
there and try anything, and I’ve had to learn that and he…
((Crosstalk))
Colin Ferguson: Well, I don’t know my lines half the time anyway, so if
I’m making them up that…
((Crosstalk))
Salli Richardson-Whitfield: Oh, that’s how you do it, okay.
Colin Ferguson: Yeah. It’s an intense lack of prep, let’s procrastinate
a little bit more. No, I would say for me, it’s really interesting. It
is something that you can mark the passage of time by because it has
been six years and who you were six years ago and who you are now,
they’re very different people.
I have a respect for my body that I didn’t before. I really try to not
damage it so much. And that may seem just like, “Oh, he’s getting old,”
but it’s more - it’s sort of respect and I have more respect for, God, I
guess life and emotion and all sorts of things that I didn’t have
before. I was sort of all about work before. And just the difficulty,
this is not a fun answer, but the difficulty of shooting and the trauma
and the tragedy of not being around those that you love, while you are
doing 14 hours a day for five months in a row.
Sal has two kids, and the - we look to each other to sort of pull each
other through and you end up having a huge respect for relationships and
stuff like that...
Salli Richardson-Whitfield: Yeah.
Colin Ferguson: ...and that wasn’t there for me. I respected it, but not
in the way that I do now. I really think they’re special.
Jamie Ruby: Okay, great. And lastly, what’s something that people for
both of you that people would be surprised to know about you?
Salli Richardson-Whitfield: I play golf. On my time off I play golf
every day. I’m a big golfer.
Jamie Ruby: Okay.
Salli Richardson-Whitfield: That always seems to surprise people.
They’re like, “Really, you don’t look like a golfer.” But - so there you
go, that’s all I can think of.
Jamie Ruby: Okay.
Colin Ferguson: Yeah, I guess people - I’m shy, in my own way and I
think...
Salli Richardson-Whitfield: Really?
Colin Ferguson: ...when people get to know me - I’m brash and I’m all
sorts of things, and there’s this one side of me which is very out
there, but people who know me know me as someone who’s quite different.
I mean, that’s always sort of strange for them when they go, “Oh, wow,
he’s actually quite shy.”
Jamie Ruby: Well, I’m surprised to know that. So, all right, thank you
guys so much.
Salli Richardson-Whitfield: I’m surprised to know that too.
Colin Ferguson: Yeah. Thanks.
Operator: Our next question comes from Erin Willard, from SciFi Mafia.
Please proceed.
Erin Willard: Hi. It’s really terrific that you’re both on the call
today. I’ve been a big fan...
Colin Ferguson: Thank you.
Erin Willard: ...of the show since the pilot. I am sorry, I came into
the call late. I was on the Warehouse 13 call that we before this and,
Grayson - yeah. You know, Grayson’s going to be on Warehouse 13 Episode
5, that’s what…
((Crosstalk))
Colin Ferguson: Oh, perfect.
Erin Willard: Yes. So, I apologize if you’ve gone over this but, Colin,
I wanted to confirm that you were going to be a Comic-Con this year and
not in some Eastern European country like you were a couple years ago.
Colin Ferguson: Yes, Sal and I both are going to be there. I...
((Crosstalk))
Erin Willard: Great. Last years’ panel were so much fun to watch,
everybody seemed to be getting along so great and the friendship between
the two of you is clear. It’s a treat to watch as a fan. So, do you
enjoy being on the panel?
Colin Ferguson: Yeah.
Salli Richardson-Whitfield: Yeah, I look forward to it every year. It’s
amazing. And I think we’re going to be in the big ballroom this year,
Colin.
Colin Ferguson: Oh, really?
Salli Richardson-Whitfield: Yes.
Colin Ferguson: Holy smokes. That’s going to - how many people does that
take, because we had the other one that was like 4000. The ballroom’s
got to be more than that.
Salli Richardson-Whitfield: Yes...
Erin Willard: Yes.
Salli Richardson-Whitfield: ...I heard that we’re going to be in the big
ballroom. It’s just amazing to go this thing and you’re seeing 4000 plus
people there and people sitting on the sides and people who couldn’t get
in. It’s an amazing feeling walking on that. And it’s always fun when
you’re there and you get to see one of the episodes with them.
Colin Ferguson: Yeah. I did WonderCon in San Francisco the year we
premiered with Andy. We went up and we had this ballroom and there were
ten people in the audience, five of them were just saving a seat for the
next people that were coming in after us.
And so, to go from that where we were like, “All right, any questions?
Any questions? Any - no, none yet? Okay, no worries. So, the show,” and
you’re sort of waffling and trying to just fill space. And to go from
that to the big ballroom at Comic-Con is - I mean it’s great. I really
want to go out on top with this, so I feel we’re pretty close to it.
And what do you feel, Sal? What do you want to call it a day?
Salli Richardson-Whitfield: You know, it’s such a hard thing. I can’t
see it going on. You know, I don’t think we’re going to be there for 15
years...
Colin Ferguson: Right.
Salli Richardson-Whitfield: ...but I think that maybe one more after
this. I don’t know.
Colin Ferguson: Yeah.
Salli Richardson-Whitfield: But I didn’t think I’d be here this long,
but...
Colin Ferguson: No, exactly. It’s not in our court at all. It’s always
the network, but it’s been so great and it’s been such a special
experience for us and now that we’re doing the main ballroom at
Comic-Con it’s really nice. It’s been a great journey and there are a
lot of really good memories for us, and that’s...
Salli Richardson-Whitfield: Yeah.
Colin Ferguson: ...going to be one of them.
Erin Willard: Well, Ballroom 20 is where you definitely belong and it
will be a treat and it’ll be packed, I’m certain of it. Do you have any
details about anything besides the fact that it’s going to be in
Ballroom 20? Do you know about the clips or who’s going to be there?
Salli Richardson-Whitfield: I don’t...
Colin Ferguson: Just Sal...
Salli Richardson-Whitfield: Is it just me? I don’t know. Who’s going? Do
you know?
Colin Ferguson: Yeah, it’s you, me, and Grayson.
Salli Richardson-Whitfield: Okay. Well, there you go.
Colin Ferguson: Yeah, and I know we’re doing obviously the party that
night and we’re flying out on the Friday, I believe, and we will be
coming back on the Sunday. Have you booked your flight, Sal?
Salli Richardson-Whitfield: No, they were just calling me about it.
Colin Ferguson: Well, you’ve got to get on it because there’s only one
direct from San Diego, it’s Air Canada.
Salli Richardson-Whitfield: I know. I know. I heard.
Erin Willard: Well, I can’t wait. I can’t wait. It’s going to be great
and I’ll see you in a couple of weeks then.
Colin Ferguson: Okay, absolutely.
Salli Richardson-Whitfield: Okay, good. See you there.
Operator: We have a follow-up question from Brandon Sites from
BigDaddyHorrorReveiws.com
Brandon Sites: Thank you. My question is, what would you consider to be
your definitive episode of Eureka?
Salli Richardson-Whitfield: Oh, that’s a good one.
Colin Ferguson: I think that there are a bunch of episodes that meant
different things at different times for us, and I definitely clock them
that way. I mean, they’re - I’ll talk as you think, Sal.
I remember when a good friend of mind, Johanna Stokes wrote, wow what
was that called, it was Game, something about Game. It was like first or
second season, and when a friend of yours writes an episodes that’s a
great thing. I remember the first time Salli directed, that’s a big
thing. I remember the first time I directed, which was, Your Face or
Mine. It was a smaller episode and that was a huge thing for me.
So, there’s these more in point episodes all the way through, which sort
of mean the world to us, as people - like the first one that
(Alexandria) directed, we fought really hard for our script supervisor
to get an episode to direct. She directed A Dead Zone before and is
really one of the people who held the show together when it was going
through rough times.
It was, (Lexi) and myself a lot of times, fighting for the best work
that we could get. And for her to be rewarded and respected by getting
an episode was absolutely huge for us as a cast. It felt like we’d had a
big victor, and she could (unintelligible) amazing job.
So - and hers is this season. Hers is the bank episode...
Salli Richardson-Whitfield: Right, that’s why I’m so - it’s hard to
think of them because I don’t know what you’ve seen, you know?
Colin Ferguson: Right. Yeah, hers is the bank episode. I don’t remember
what the - her episode is the episode that has to do with the poster.
Salli Richardson-Whitfield: Yes, which might be a very Eureka - I mean,
I...
Colin Ferguson: Those...
Salli Richardson-Whitfield: ...can’t think of one in particular. I think
when we find the ones that really have that middle ground of the comedy,
that banter back and forth comedy that we have, and then they throw in
some of the Syfy that that is a real Eureka episode for me.
There’s one’s you just read and you just go, “Okay, that is so Eureka,”
with the comedy and a little bit of the danger. But, I can never
remember exact ones.
Colin Ferguson: Yeah, so that’s why it sort of goes for us because we
are a family. We spend 14 hours a day together and, five, six days a
week, a lot of the time, and so when someone get a huge bump it’s huge
for us. It’d be like this year, (Ian), who is - oh, he was pulling
(focus), he was second camera, he’s now our operator, and it was huge
for us.
And (Herby), when he went from being - when he went to doing - when he
(starting pulling focus), it was huge for us when people get promotions,
and that’s the sort of stuff that really makes it for us.
Brandon Sites: Okay, well, I want to thank you once again for taking my
- for taking our call. Thank you.
Salli Richardson-Whitfield: Thank you.
Colin Ferguson: Oh, thanks.
Operator: We have a follow-up question from Jamie Ruby from
SciFiVision.com. Please proceed.
Jamie Ruby: Hello again, still Tweeting.
Colin Ferguson: Hello, Jamie Ruby.
Jamie Ruby: So, you guys obviously seem like you have so much fun. Could
you talk about like something really funny that’s happened on set, maybe
like a prank that someone’s played or, you know, just something that’s
happened?
Colin Ferguson: We can’t really - we do little things with each other
and sort of mess with each other a little bit, but we take it so we
don’t have a lot of time to get done what we have to get done...
Salli Richardson-Whitfield: Yeah.
Colin Ferguson: ...so I mean the pranks are such, where like if we were
doing a serious scene and somebody pulled a prank and make us wreck a
take, I mean as much as we have a ton of fun, you definitely have a look
on everybody’s face of like, “Really? You know, that was - was that
really necessary?”
Salli Richardson-Whitfield: Yeah, there - I mean, we have fun. Some - I
mean if the scene is funny and you feel like you have it, like I’m very
safe with any jokes. I think the person can handle me making a face to
them off camera during the scene.
Colin Ferguson: Right.
Salli Richardson-Whitfield: And then, you know, Colin will look and look
at me and laugh and go, “What are you doing,” or - because you’ll do
that to me too, but nobody does that...
Colin Ferguson: Yeah.
Salli Richardson-Whitfield: ... if there’s something serious, and you
said, most of the time we are in a hurry and you don’t have time for
jokes. We just want to do the best work we can and we only have another
15 minutes. So, jokes are not - pranks - you can do pranks on a feature,
not on a TV show.
Colin Ferguson: Yeah, most of our jokes, there are a tons of jokes on
set, but they’re all when we’re not shooting. They’re all...
Salli Richardson-Whitfield: Right.
Colin Ferguson: ... like making fun of each other in between the take
and the director yells, “Cut,” and then all of a sudden we’re making fun
of what each other did in the scene and it was like, “Wow, really?” He’s
like, “Yeah, I’ll fix that in the next one. That didn’t work out very
well.” You know, we do a lot of stuff like that.
I remember Jaime’s a big prank player. In the pilot, I believe. Was it
the pilot where he was inside...
Salli Richardson-Whitfield: He jumped out of a box.
Colin Ferguson: Yeah, scared the living hell out of me. Scared the
living hell out of my, but that’s, again, the pilot where you have twice
as much time to shoot the same amount of footage, so you have latitude
to sort of, you know, play jokes on each other.
Salli Richardson-Whitfield: Well, and Matt Hastings loves to add some
funny lines in, but it’ll always be - he’s one of our executive
producers and directs a lot of our episodes, but it’s pretty much like
once you have the takes he’ll go, “One more take,” and then he’ll add in
a funny line that’ll surprise someone. But, it’s always after you got
what you needed.
Colin Ferguson: No, no, and that was the most boring stuff ever because
we don’t have any pranks on the set.
Salli Richardson-Whitfield: I know where the…
((Crosstalk))
Colin Ferguson: Too bad.
Jamie Ruby: All right. Now for both of you, what would be your ultimate
dream role, or is there maybe somebody specific you want to work with
that you haven’t?
Colin Ferguson: Oh, wow.
Salli Richardson-Whitfield: A dream role? Colin, you’re going to laugh
at me - just recently I was able to do this performance honoring Halle
Berry for someone - for the Genesee Foundation and I performed as Lena
Horne. And that’s something I’m working on trying to make happen and
would be my ultimate dream, because I loved her as an icon and I loved
to sing and I always loved her musicals, so that’s also why I’ve been
pushing our show.
I don’t know how Colin feels about this, but I would love to do a
musical Eureka. I’ve always - and I keep getting Tweeted about it too.
People are like,, “When are you going to do a musical?” I would love to
do that.
Colin Ferguson: Salli has an amazing singing voice. Like, when she got
this job...
Salli Richardson-Whitfield: Colin has a - Colin is a great singer too.
Colin Ferguson: I do not. You can’t - no, no, there are different levels
of singing, right? There are people who can like, you know, with enough
work I can hold a tune, and that’s about where I’m at, with enough work
I can hold a tune. Salli has a fantastic singing voice. I mean, huge
range, which she…
((Crosstalk))
Salli Richardson-Whitfield: Well, we’ll sound really good in the studio.
That’s all that counts.
Colin Ferguson: Oh, that would be great. A musical would be fine.
Jamie Ruby: Well, what about your dream role, Colin?
Colin Ferguson: What about me what?
Salli Richardson-Whitfield: Your dream role?
Jamie Ruby: What...
Colin Ferguson: My dream role? I’d really like to do something where I
conceived of it, shot it, maybe acted in it, and then edited it. It’s -
coming from TV where we, out of necessity we have to move so quickly,
it’d be really nice to move slower and take some time or something and
really sort of hone it.
So, it doesn’t really matter what it is, as long as it was with friends.
I really want to work with my friends at this point doing stuff that I
want to do. I think a lot of actors feel that way these days,
particularly with the Canon 5D being so comparable to, you know, the
F23, Viper, or the Genesis or all the different cameras that we use. In
fact, we’re using the 5D more and more and more and that’s a cheap
camera that you can get from the - a (consumer) line anywhere in the
country.
I think that with the technology finally getting to the place where
anybody with a story can tell it, it’s a really exciting time to be
someone who wants to tell a story. So, I’d like to do something like
that I think and see where I fall on my face there.
Jamie Ruby: Okay. Well, I hope you don’t fall on your face, but okay.
Thanks.
Colin Ferguson: Well, at least really it’s like I’m fine with that. I
just want to like, “Oh, that’s where I sucked.” It’s like, “Okay, I can
fix that,” you know?
Jamie Ruby: All right. Thank you.
Operator: Ms. Liggins, there are no further questions at this time.
Operator: Ladies and gentlemen, that does conclude the conference call
for today...
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