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Kara DioGuardi of "American
Kara DioGuardi is a very lovely and talented young
woman. She has brought a new musical depth to American Idol. I did
not get to ask her any questions, but here is the transcript of the
FBC PUBLICITY: American Idol Conference with Kara
February 10, 2010/11:30 a.m. EST
Moderator: Ladies and gentlemen, thank you for standing by and welcome to
the American Idol conference call with Kara DioGuardi. At this time, all
participants are in a listen-only mode. In just a moment, weíll open the
lines for your questions and answers, and instructions will be given at
that time. As a reminder, todayís conference is being recorded. Iíll now
turn the conference over to Ms. Jill Hudson for opening remarks.
J. Hudson: I just wanted to thank everybody for participating in this
call. As a reminder, American Idol is now in Hollywood Rounds and airs
Tuesdays at 8 and Wednesdays at 9. If anybody has any follow-up
questions after the call, feel free to email me.
With that, we can take our first call.
(first question appears to be missing)
Kara: (re: Ellen) I guess what Iím saying is that when I was sitting next
to her, I felt she had a really good handle on whether a contestant had
potential, whether they had a star quality. She knew if something was
off in the vocals or in their performance, and I thought she delivered
the message with kindness, but also had criticism in there.
W And Paulaís absence?
Kara: I really donít want to speak about Paulaís absence because you
canít really compare Paula and Ellen. Theyíre completely different, and
I think they both bring something valuable to the table. To judge on one
personís show, I think thatís very difficult to do, and Iím speaking
from experience, that when I first came in, itís something that takes
time to get used to, and I think she did an incredible job for her first
time there. Hopefully, youíll see more.
W Is there an Adam Lambert effect this year? Are there more really
unique performers that youíve seen?
Kara: I would like to say, and Iíve only been on the show two years, but
I think that people were interpreting songs from the get-go in audition
week. They werenít just singing them the way they were sung by the
people who originally recorded them. They were kind of taking some
risks, and I like that, and maybe that is because of Adam, but thatís
definitely a sign of good artists when they do something unique and
different with material.
Moderator: Our next comes from the line of Erica Futterman with Rolling
Stone. Please go ahead.
Erica: So far this year weíve had a bunch of memorable songs that have
come through. Obviously, ďPants on the GroundĒ was kind of a big hit
already, but last night we had someone singing a version of ďStraight
Up,Ē and then someone also sang a version of your song, but can you
speak a little bit about how you guys reacted to hearing those versions
and if there are any other surprises in store tonight.
Kara: First off, tonight, I would be the last person to know whatís going
on tonight. I have no idea. I see it when you see it, which is kind of
fun. I also feel at times like a viewer as much as a participant because
I donít know whatís coming up.
In terms of that girl singing ďTerrified,Ē I was absolutely shocked. I
couldnít believe it. Itís not a song that was released as a single. Itís
something I co-wrote with an artist I signed to Warner Brothers, Jason
Reeves, and it was a very special song for both of us. I put it up on my
site I think last year. There was no music, thereís no way she could
find the sheet music, so she went and she learned it on her own which I
thought was pretty impressive to want to sit and watch that YouTube
video over and over to learn it, and I think she did a really good job
and a nice interpretation of it. I think she showed that she has a great
range and sensitivity when she sings. I was pretty impressed by her, and
the ďStraight UpĒ was genius. That was just genius.
Is it odd sometimes when theyíre singing songs youíve written? Of
course, because itís like, ďWow, theyíre singing my song. Oh my God, if
itís not good, what am I going to say?Ē It was so sweet of them to even
want to do that, but you have to be honest, and if she hadnít been
great, I wouldíve told her. And actually ďSoberĒ was my song, too. That
was sung by Mary, I think her name was, and I thought she did that
pretty good, too.
Erica: Going off of that then, were there any other changes or
expectations that you had going into this year that were different from
Kara: Iím definitely more relaxed and more comfortable because Iím a
little bit more used to being in front of TV. In terms of my
expectations for Hollywood, I really kept them open because the panelís
been changing every week. Every time we had an audition city there was a
new judge. With Hollywood Week, we had Ellen. So I just wanted to kind
of keep open to everything and just be in the moment and try to be the
best judge I could be.
Moderator: Our next question comes from the line of Shirley Halperim with
Los Angeles Times. Please go ahead.
Shirley: Who do you think would be a good mentor this year?
Kara: There are so many good mentors. I really like Harry Connick Jr. I
think he would be great, especially for standards or kind of maybe even
jazz. I love Meatloaf. I think heíd be fun for rock because Iíve
actually worked with him in the studio. We actually recorded a song
recently, and I was very impressed with the way he sort of brought out a
different side of me vocally. He kind of has a method acting background,
and he kind of applied it to singing and performance. At first I was
sort of like, ďWhoa, guy, back up,Ē and then I kind of went with him,
and it had a definite interesting result which I was kind of pleased
about. I think those two would be pretty good.
Shirley: Can you just tell us a little bit about your trip to Angola.
Thatís coming up, right?
Kara: Iím not at liberty to kind of talk about that.
Shirley: Okay, anything you could tell us about Idol Gives Back this
Kara: Hopefully that weíre going to raise a lot of money and do a lot of
good. Iím always the last person to know, so Iíll know when the episode
Moderator: Our next question comes from the line of Antonia Blyth with
the US Weekly magazine. Please, once again, one question only.
Antonia: I wanted to ask what your thoughts were on the rumor that Howard
Stern possibly joining Idol next year. Do you think heíll make a good
Kara: Right now thatís a rumor, and I donít really know if I can even
speak on it. I donít think he has musical background or any kind of
music anything, and I think that if youíre going to replace Simon, you
have to have that background. You have to be somebody who knows about
signing great artists and being a part of their career from the very
beginning to the very end like heís done with people like Leona Lewis
who he spotted early on and nurtured and turned Ö into Ö. I think thatís
probably a precursor for whoever takes that position if theyíre not a
big artist whoís been through it themselves.
Antonia: Just for fun if you could give Ellen a grade on her performance
as a judge, what would it be?
Kara: Iím not going to give Ellen a grade on her performance. I think she
Moderator: Our next question comes from the line of Eric Ditzian with MTV
News. Please go ahead.
Eric: I have a very, very important question to begin with. Whatís up
with the vitamin water cups replacing the Coca-Cola cups? Everyoneís
talking about it.
Kara: I know. I think they own VitaWater. Iím assuming that. I donít
think we slipped another brand in their place, so I think they own it.
Eric: Was it just like you guys got to the desk, and they were suddenly
there and you didnít even Ö.
Kara: Yes, they were kind of colorful, different.
Eric: Can you also just speak a little bit about, there have been rumors
of sort of Ö tension between Ellen and Simon. Can you speak at all about
that? Is there any validity to those rumors?
Kara: I think you have to take any rumor you hear about American Idol
with a grain of salt. Theyíre usually not true.
E. Ditzian: So thatís a no.
Kara: No, last year it was Kara and Paula fighting, hate each other. Kara
sits in the corner. These things are just ridiculous. Weíre all there to
do one thing, and thatís to find the greatest contestant, the greatest
American Idol winner that we can find, and thatís what the focus is, and
I know Ellen and Simon both take that seriously.
Moderator: Our next question comes from the line of Tenley Woodman with
Boston Herald. Please go ahead.
Tenley: I know you guys see a lot of basses, but I was wondering if you
could fill us in at all on Ashley Rodriguez. We didnít get to see her
performance last night. I was wondering if you could maybe share a
little bit of how it went.
Kara: Iím not really at liberty to talk about things that havenít aired.
Itís just not fair for me to sort of put out that information if the
show isnít putting it forth themselves. I think you can kind of
understand that. That wouldnít be fair if I just started talking about
the contestants, but obviously, sheís a good singer. Hopefully, youíll
see more of her.
Moderator: Our next question comes from the line of Margie Szaroleta with
AP Radio. Please go ahead.
Margie: What do you see as the biggest mistake contestants make during
Kara: The biggest mistake they make during Hollywood Week, itís usually,
if I were to look at this year, itís definitely song choice. Itís that
they take on something thatís way too big for them, or they go through
the audition rounds and we praise them and say how great they are, and
then they decide to completely change when they get to Hollywood Week.
There was one contestant in particular whoís kind of a country singer
that did that, and I was very disappointed because I had real hopes for
him. He decided to do something completely on the opposite of what he
shouldíve been doing, so thatís usually the thing that kills them the
most, that and the fact that they stand on that stage, and they canít
fill it up. They canít perform. They canít project. Those are the two
Margie: It seemed like every judge on the panel has a role, and with
Paula gone, how do you think the roles have changed?
Kara: Paula was very nurturing, and I think, at least for me during the
audition rounds, I try to give kids the benefit of the doubt and try to
give them another shot when they had some modicum of talent. In the
beginning phases, you kind of just got to say can they hold a tune? Can
they sing? Or else weíre not going to have any contestants. Remember, we
have to have I think itís 170. If you judge them the way you would
during the final rounds of the competition, weíre not going to have any
kids because there is that learning curve. There is that growth that
goes on throughout the competition. At least for me I felt I was a bit
more supportive in the beginning rounds than maybe I wouldíve been in
the previous year.
Moderator: Our next question comes from the line of Rachel Maresca with
Life & Style Weekly. Please go ahead.
Rachel: My one question for you is how do you think Ellen will or has
changed the dynamic of the judging panel this season?
Kara: I think the dynamic is something that grows over time. To kind of
speak about right now would be problematic because, again, weíve only
had one week under our belt. When I speak about the dynamic, I spent
five days with her for many, many hours. What youíre seeing is an edited
down version of what happened, and there are specific reasons why the
producers put certain scenes in and certain scenes arenít put in. I
think the dynamic will develop over the season. I think thatís whatís
going to make it such an exciting season that itís very unpredictable.
You donít know whatís going to happen, and Iím just very excited to see
it through and find a great winner.
Rachel: I know you made the comment earlier that you felt that Ellen did
a great job last night, right?
Kara: I think she did. When I say last night, I mean I think she did a
great job during Hollywood Week. How itís edited and what you see is
very different from my experience. I remember what led up to the kind of
the jokes about the kids not wearing shoes. I remember just thinking
that she was funny and also was critical and had heart. I was very
pleased with her and having, I mean, itís such an honor to sit next to
Moderator: We have a question comes from the line of Andrea Dresdale with
ABC News Radio. Please go ahead.
Andrea: A lot of the producers, and Randy Jackson in particular, have
been saying things like they would really like to see a girl win this
year, and weíve certainly seen a lot of girls with wonderful talent sort
of front and center in the edits so far. Do you have a preference one
way or another?
Kara: I would love to see a girl win. I think that this year, or
especially whatís going on in music currently, itís the womenís
movement. Youíve got Taylor Swift. Youíve got Beyonce. Youíve get Kesha.
Youíve got Katy Perry. You have Lady Gaga. You have these very unique
women at the forefront of the music industry that all have their own
voices, that all have their own styles, and I think that just looking at
the pool of talent we have this year, itís similar to that. Theyíre
unique. Theyíre different. They have a voice, but I also do think that
the men are very good, the ones that we do have. They may not be Ö
different as the women, but theyíre solid singers. I do think itís a lot
easier to break women than men, actually, in terms of their records once
the show is done.
Andrea: Speaking of unique female singers, you mustíve been thrilled when
Colbie Caillat won those Grammys for her album since you had so much to
do with it.
Kara: Yes, I was so happy for her. I think sheís underrated as a singer.
I donít think she gets enough coverage. Sheís got an incredible voice.
The moment she comes on the radio you know exactly who it is. She kind
of has so much emotion, and I think that makes for the best singers.
Moderator: Our next question comes from the line of Hal Boedeker with
Orlando Sentinel. Please go ahead.
Hal: Kara, I wanted to ask you specifically about Janell Wheeler who is
from our area. What did you think of her?
Kara: Well, I think sheís a great singer because we put her through. Last
night you could obviously see we were thinking she was great.
Hal: How are you doing this season?
Kara: Iím good. Itís hard these calls because you donít want to reveal
too much, and you feel already a real, it is almost a passion for a
bunch of these contestants, and you just want to make sure that when
youíre talking about the shows you donít say anything that would hurt
another contestant or keeping them from going where they need to go.
Youíve just got to be careful. Thatís why Iím a little guarded about
talking about the contestants because I want to give them all a fair
Hal: You do feel more comfortable though.
Kara: Yes, definitely. That was very scary to go from behind to the
scenes to in front of 30 million people. I think that people thought I
was very serious last year, like I didnít maybe have a sense of humor. I
feel like I do, that actually Iím more of a goofball than probably
anybody on that panel.
Moderator: Our next question comes from the line of Anthony Jones with
All Headline News. Please go ahead.
Anthony: Last night the talent Ö so great, and it was, I donít know if it
was just the way they edited the show, but like, American Idol goes
acoustic. This being the showís ninth season, do you think at this point
having that additional musicality really helps the contestants?
Kara: Oh, 100%. There are so many contestants that when they come in on
the audition rounds, Iíll ask them, ďDo you play? Do you usually play an
instrument when you perform?Ē Theyíll always say yes, and those are the
ones that look so uncomfortable when you take their instrument away from
them. They need that. Itís part of who they are, and itís part of their
performance, and when you take it from them, Ö lost, so enabling them to
bring that guitar or bring that piano into the Hollywood Week just shows
you a different side them.
Anthony: When people are singing your song, do you find yourself a little
bit more critical of their interpretation or their performance, or is
there a little bit more like a quiet bias?
Kara: Well, when they sing my songs, Iím always Ö because I donít know
itís coming, so it always takes me a little off guard, and then with
Didi, it was a very different interpretation than mine. It took me a
second to be, like, what song is that. Oh my God, thatís ďTerrified.Ē
When I was listening to it, I thought, ďOkay, wow. This is very
interesting what she brought to it,Ē and I really could appreciate it.
At first itís that second of whatís going on here. This is very strange.
Howíd she find that song? By the end of it youíre either digging it
which in Didiís case I was, or youíre not, and you donít want to be bias
because they sung your song. You have to tell the truth.
Moderator: We have time for one last question, and that comes from the
line of Rodney Ho with Atlanta Journal. Please go ahead.
Rodney: I want to get your thoughts, how did you think Carrie Underwood
did during the National Anthem? She actually appeared to sing it live
and not lip sync it, which most people seem to do nowadays.
Kara: Kudos to anybody who sings that song live. Itís just the scariest
thing to do. I donít know if youíve ever done that, but, wow, that is a
rangy song. If you could imagine standing in that stadium and knowing
that every eye is on you, wow. I donít know. Itís pretty crazy to think
that she was a girl from a small town a few years ago. This was her
dream and to be in that position. That shows you the power of the show,
what can actually happen. Kudos to her for singing live.
Rodney: Have you ever done it yourself?
Kara: I have, yes, at many legion clubs and things back in Westchester
County. I can't say it was anything as fabulous as what she did, but
Moderator: There are no other questions.
Alex: The call is concluding now, I believe. Weíve done our last
Moderator: Ladies and gentlemen, this conference will be made available
for replay after 1:00 p.m. today running through February 17, 2010 at
That does conclude our conference for today.
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