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Y&R Interviews

Interview with Eric Braeden (Victor)  8/18/09

Eric Braeden

I was very lucky to interview actor Eric Braeden. He is best known for his role as Victor Newman on "The Young and the Restless" for almost 30 years. Before that, however, he had been in many TV shows and movies, including starring in "The Rat Patrol" in the 1960's and in the classic sci-fi movie Colossus: The Forbin Project in the 70's.

His character on Y&R, Victor Newman, is a very stern and intimidating man, and he spends a lot of his time on the show yelling at people and plotting revenge. I'm relieved and happy to say that Eric Braeden is nothing like that... at least when I spoke with him. He couldn't have been more charming and gracious. Braeden helped create the role of Victor, and it's clear he did put a lot of himself into the role. I had to chuckle to myself many times when he used some phrases in his speech, just like Victor does, like "Well, I'll be damned" and "Are you kidding me?" But clearly, Victor is just one small facet of the very complex man that is Eric Braeden. He is not only a great actor and an icon in the soap industry, but he is a very accomplished athlete and clearly is interested in many things and in other people. He works very hard and has done that his whole life.

He took time out to ask me about myself and where I lived, which I found very endearing. I told him where I live and that we moved here because my husband is a political science professor. He was interested in that, since he has opinions about the issues (as you will later see).  I'm sure that in part it was a tactic to put me at ease and to develop a rapport, but I also got the impression that he is just very interested in people in general.

Braeden mostly spoke about his movie, "The Man Who Came Back", but we had some other interesting topics to chat about, as you will see. This was my first one-on-one phone interview, and not my last, but it will probably be one of the best I will ever have.

First I asked him about his movie. I have not yet seen it, so he told me the basic plot. It's a revenge movie of the type that Clint Eastwood often makes. As he noted with a chuckle, "It's not a Disney film," which I took to mean that it's violent. It takes place during the Thibodeaux uprising in the south. The sharecroppers wanted $1 a day instead of 75 cents (it was the first strike in the US), and the cruel landowner punishes them (by executing them) as well as sending Braeden's character to jail. His life is destroyed, and then he comes back for revenge. If you read the info below, or follow the link after this article to his interview with, you can find out a lot more about it.

Eric Braedn in "The Man Who Came Back"Braeden praised the cast and crew at length. He told us how the movie came about after he read a historical story and then gave it to the writer to make into a screenplay. He hired friends of his to make the movie. One of the producers is John Castellanos, whom Y&R fans will remember from his days as lawyer John Silva. Braeden really liked making the movie and having creative control over it. "I had enormous joy doing this," he confided. He was executive producer, so I asked him what that meant in this case. He said modestly that producer is a more difficult job and does more work than executive producer. He also noted that executive producer "is sort of ill-defined, to be honest with you." It sounds like he participated in a little bit of everything in the project as well as provided financing, and he learned a lot from the production.

One of our regular message board members, Wendy, knew that he made this movie during one of his annual breaks from filming Y&R. She noticed that he was not taking a break this year and wondered why. He laughed at that, confirmed it, and wondered, "How did she know?" Fans know everything, Mr. Braeden! We had a good chuckle at that one. He also admitted that it takes a long time to make a movie and that this one took a good two years. However, he made sure the shooting was quick and efficient. He did not want it cutting into his other work. He said, "I work very fast, so I insisted on very fast work...I don't like to waste time on the set." He says that was never a problem at all. He would definitely like to make another movie some time in the future. It takes a long while to get just the right story and to develop it.

I asked him what his fans, particularly soap opera fans, would like about "The Man Who Came Back" and whether it had any romance in it. He replied, "I do revenge well" (That's for sure). He pointed out that revenge and justice are very universal themes that he enjoys tapping into. Speaking as his character (and sounding a lot like Victor), he explained that there was an "egregious affront against my family" that brought about the revenge in the movie. As for romance, he says that "it is sort of indicated as a possibility". I asked him about the ending of the movie, which he says "is realistic." My guess is that it's probably not a really happy ending. He very kindly did not want to ruin the movie for me or anyone else who had not yet seen it.

I asked if he had any difficulties in making the movie. He didn't give me any specific examples, but he said there were difficulties "every step of the way". He said it's tough whenever you make any movie that will be seen nation-wide, but "these are all obstacles to be overcome" and "a challenge". He agreed that he learned a lot from these problems. He kept stressing, though, that mostly it was just a joy to make the movie. Besides the cast and crew, he praised the people they worked with in Texas that helped make the movie with them. Budget was the only problem he could think of, saying that with any movie that is not a big studio picture, there are budget constraints.

George Kennedy, who briefly played his father on Y&R, also stars in the movie. Braeden says that he was very happy to work with him again. "He is an icon, and I have enormous respect for him", he noted. Kennedy told many stories on the set about various big movie stars he's worked with over the years, which everyone enjoyed hearing. He also lavished praise on the other actors in the movie, such as Billy Zane, Armand Assante, Sean Young, James Patrick Stuart, and Carol Alt. "I just can't say was a pleasure to do this film with them,, he said. It's clear that he really admires his co-stars and is very gracious about them. I mentioned that Stuart had been in "All My Children," and he was surprised but pleased to hear that. Stuart has quite a long list of credits, so it doesn't surprise me that he might not know that. On AMC, he played Will Cortlandt, who was evil (as I believe his character is in this movie, too).

When asked what he learned from making the film, Braeden stated that "you need absolute pros. In other words, it is penny-wise and pound foolish to not pay and have cuts in the technical staff because it bites you in the ass." I couldn't help but think that he was partly referring to all of the budget cuts in soap operas these days, but I didn't mention it. As he said, "You need all pros in each department. It may be more expensive, but it saves you time and money in the end." He agreed that having people who know what their doing is much better in order to make it run like a well-oiled machine.

The only problem he had with making the movie was the process of distribution. That is the one area that he couldn't have any control. "You have command of it all, and then suddenly you hand it over to the distributor, and they essentially change it" (marketing-wise). He has no suggestions about how to change that system, though, because it's just the way it works. "It is one of the most disheartening parts of the film business," he said candidly. He also agreed with me that it affects the fans if they don't get to see all of the movies because the distributor decides only to show it in certain theaters or only to DVD, etc. He hinted that because he's a soap star, the film did not get distributed the way it should have been.

This led to a conversation about how soap stars are under-rated, especially by people in the film business. He gave an example of this.  When he has been out in a restaurant with film people, or at some other public place, they are shocked when fans flock to see him or the other soap stars, and "they stand there, there mouths agape, and they have no clue" that soap actors have this big following. I commented that one would think that by now, the industry would have gotten a clue about this. "No, it hasn't yet because very few people make that jump successfully to films." I think there are more movie and primetime TV stars now than there used to be, but he is still right that people distain soaps and don't take them seriously... or value the stars or their fans.

He added that he's been offered plenty of other shows or movies over the years, but he doesn't want to leave Y&R. "I've just done it too long." He wanted something more challenging, where he would be in control, so that's why he made this movie. He then went back to talking about how great an experience it was.

Switching the conversation a bit, I asked him some other questions, not related to the movie. I asked him if he visits Germany, his hometown, often, when he does take time off. He confirmed that he does. He goes there with his family. Some of them would rather go to other places more, but he enjoys going home most. We talked quite a while about his trips home. They do travel to other places around the world, and he's been all over the U.S. When he goes home, he sees all the people, the farmers, etc., and it has not changed a bit, according to him, in all these years. I asked if they treat him any differently, like a soap star, or like just the boy who used to live there. He says, "No, not like [a star] at all. I mean, they are aware, obviously, but as a kid I was already sort of [well known because] I'd won the German Youth Championship in Track and Field," so he was somewhat famous around the area anyway because of his sports accomplishments. One thing that really stands out in the interview with Braeden is that he is very proud of his hard work and accomplishments over the years. It's not boasting; he's done a lot of things in his life and he makes no bones about it.

Braeden admitted that he is not very good at relaxing and doing nothing (he's not the type to lie on the beach). He enjoys traveling but would rather be working, working out, playing sports, or doing something productive when he does travel. "I'm not very good at vacationing...I need to do things." He doesn't like to just sit around. When he's at home, he does relax, but one of his favorite ways to relax is to go into his garage, put on some music, and work out with weight-lifting or hitting the bag by himself. He did share that he has varied tastes in music, everything from Johnny Cash to Gregorian chants. He has a home gym in his garage. He does "Olympic weight-lifting" which he is quick to point out is not the same as body-building. He mentions some friends that he exercises with. One he sparred with recently was a retired muay Thai boxing champion (I did not get his name, even though he spelled it for me, sorry!). I jokingly asked how he did against the champion, and he replied, "Oh, he's obviously very nice", meaning that he goes easy on him.  He added that his son, Christian Gudegast, also plays that sport.

I asked him if he still plays tennis, and he said he did. He also plays soccer still. I learned something new - he was on the U.S. Soccer Championship team in 1972-73. Wow! I didn't even know the U.S. had soccer way back then. He told me about some other former champions he played with (tennis stars). I joked that he doesn't play with amateurs, but he demurred, saying these are "regular people." It's pretty obvious how Braeden looks so young and fit, even though he's in his 60's. He stays very active - works out twice a day. This led to a discussion about diet and exercise. He likes to eat a lot, so he has to work out if he wants to do that. He declared that the only way to stay in shape is to reduce calories by exercising and watching what you eat. He said, "There's no secret to me, all this bullshit. As you get older, your metabolism slows down..." He works out hard in order to justify all that he wants to eat. "I think that as you get older, the best way is lifting weights...because your muscles decline as you get older," he shared. I promised to pass that on to my husband, who does a lot of exercising but doesn't lift weights. "Trust me, it works," he said. When hearing how my husband runs and walks, he replied, "That's fine, that's cool, but to be honest with you, [weight-lifting] helps with your joints, helps with everything. You need the muscles to support your joints." He watches what he eats to a certain degree, he admits, but he loves foods like Italian, sushi, German, and even down-home American food and cheeseburgers.

I felt like we'd had a nice, long interview, but he was in no hurry to end it. I said, "I don't want to keep you if you're pressed for time." I figured he would thank me and that would be the end. He said, "You're not at all, and it was a pleasure talking with you." But that was not the end.

Braeden asked if we could talk about the health care system. I was shocked, but intrigued, so I asked him to continue, not knowing what he would say. He stated that "it has to change, obviously." "I just wish that people wouldn't believe this notion that universal coverage means the government takes over. This is B.S. It's bullshit." I whole-heartedly agreed, and he continued. "It's unmitigated nonsense. What, we want to maintain this system where insurance companies are allowed to suddenly say, 'We'll no longer cover you because you have a pre-existing condition'? Or because you're not getting sicker than you once did...what, are you kidding me? That's highway robbery. That's outrageous. That is outrageous." I couldn't argue with him because I believe the same way. I admit I was a bit tongue-tied, not knowing what to say, but he just seemed to want to vent, anyway. I said that I don't know why people are believing what insurance companies say. He went on to say, "It is beyond me, it is sometimes just sort of...just beyond me." He was a bit at a loss for words in his anger... not that I blame him because it is pretty frustrating.

He compared the possible universal health care bill to the European health care system. "You have a choice - if you want to have private insurance, you can get it. That's not a debate. It's nonsense, absolute nonsense. It is so skewed along ideological lines, that it's obnoxious." I pointed out that the people who need the insurance the most are some of the same ones believing the wrong people. They're ignorant. He agreed, saying, "Morons! And that's all I can say. I just don't understand the fervor of those who have only to gain by the change in the's just beyond me. I tell you, partisan politics is just abhorrent. When I hear these talking heads on sickens me. I'm so fed up with it." I sighed and said that the news used to be objective. They laid out the facts for you and you could then decide for yourself. He said, "It all changed with FOX news and Rupert Murdoch. Why it changed is because they are simplifying complex problems. It is more palatable to the audience to listen to a simpler news, than to have to think, so the ratings went way up, and now all the news and television business is contingent on ratings. That's why they all follow suit."

We discussed that for a moment, and then he said that health care is a complex problem and that calling it "socialism" is ridiculous. That reminded me of a graph I had seen in Time Magazine that showed how far each of the presidents had gotten on the health care issue. Our current president has gotten furthest, but the second farthest was Richard Nixon, which shocked me at the time. He agreed that it was shocking, and he also pointed out that "people forget that government has always bailed out these huge corporations." He chuckled and said, "Talk about socialism, how about corporate welfare? Are you kidding me or what?" I guess he'd had enough venting because he said, "That's a whole different conversation". He said, about the country, "Let's just look at things objectively and try to solve them. Keep partisan politics out of it." I said that it seemed self-defeating, putting politicians in charge, since they are the most partisan of all, and he agreed. He also agreed with my husband's theory (he's a political scientist) that they probably won't pass the bill, or if they do, it will be watered-down and not too effective. Braeden said that it will "probably be so compromised that not much will change."

I very much enjoyed talking to the very charming and interesting Eric Braeden. Now I guess I'm going to have to pull for Victor over Jack! interview with Eric Braeden

More information about Eric Braeden and his movie below:


Internationally-known television and film star Eric Braeden stars alongside Armand Assante (Mambo Kings), Billy Zane (Titanic), Sean Young (No Way Out), James Patrick Stewart (Pretty Woman), Jennifer O’Dell (The Lost World), Ken Norton (Mandingo), Carol Alt (Private Parts) and Academy Award-winner George Kennedy in the western thriller THE MAN WHO CAME BACK.

Braeden plays a no-nonsense Confederate Army veteran whose defense of black workers in the post-Civil War south has deadly consequences. Glen Pitre (Belizaire the Cajun) directs from a script he co-wrote with Chuck Walker (Rings) who produces with Steven Bowen (Mexican Gold), Sam Cable (Mexican Gold) and John Castellanos (The Attendant).


The Civil War may be over but life in a small southern town is hardly emancipating. It’s the year 1876 and one black family is setting out from Duke Plantation to exercise their new found freedom in the north. They don’t get very far. Hot-headed Billy Duke (JAMES PATRICK STEWART), the miscreant son of plantation owner Judge William Duke (GEORGE KENNEDY), doesn’t like “negras” leaving and he shoots their mule in the head to make his point. He then takes his whip to a young man named Junebug and leaves him a bloody mess.

Deprived of their only transportation, Junebug’s father, Winton and the family retreat to their sparse quarters. Junebug is brought to the modest house of worker overseer Reese Paxton (ERIC BRAEDEN) a fair-minded Confederate war hero who is married to beautiful Angelique (CAROL ALT) and has a nine-year-old son named Gabriel. Angelique treats Junebug and Reese tells Winton that he will complain to Judge Duke about his brutal thug of a son.

But that implies justice and there is none in this part of the world. Judge Duke isn’t interested in disciplining his son and he doesn’t like men who stand by the “negras.” So Billy Duke gets away with his latest act of mayhem. Later, he shows up at the plantation store and announces that the workers will no longer be paid in real money. They must use the script handed out by the Dukes and they must buy their goods at the plantation store at inflated prices.

Reese and Billy tangle in a bloody fight in the store one morning after which the black workers go on strike and refuse to work in the Duke fields until the script money situation is fixed. Reese is then arrested by corrupt local sheriff Amos Hopkins (ARMAND ASSANTE) and forced to leave his home and move into a shack. When Billy Duke orders a posse to bring the workers back to the plantation, only Winton stands up to them. In return, he’s hanged and shot to death by Billy and his posse – and Reese is framed for the crime!

Hauled into a courtroom, appropriately set up in the lobby of the town brothel, Reese is poorly defended by lawyer Ezra Tarwell (BILLY ZANE), who is helpless against the bogus testimony of Billy Duke’s posse and Judge Duke, the plantation owner, who is determined to get rid of Reese. Only Caleb, a cowardly young man who knows that Reese is innocent, can help the situation. But he begs off and is replaced by, Kate (SEAN YOUNG) his mercenary of a wife who knows that the Dukes are their only hope for a decent post-war life. When she backs up Billy Duke’s testimony with more lies of her own, Reese is convicted, caged and sent to prison.

His prison wagon escorted by Billy Duke, Amos the Sheriff, deputies Lyle, Delbert and the Preacher, Reese bound and gagged is driven by his own home where his wife and son protest his treatment. In return, young Gabriel is struck unconscious by the butt of Billy Duke’s bullwhip and his wife is gang-raped in front of his eyes. With a cracked skull, young Gabriel is then thrown into a well and drowned, where he is joined by his mother who is shot to death. A broken man, in body and spirit, Reese is sent to prison.

Prison is no respite for the revenge-crazed Reese. It’s a territorial hellhole where prisoners are worked like coolies and left to rot without medical attention. An abortive escape attempt lands Reese in solitary, which, in this prison, is a salvaged locomotive container box where the sweating ex-Confederate can neither stand up nor lie down. However, a flicker of spirit keeps him alive and slowly he makes his plans to break jail, which he does by masquerading as a corpse.

Surviving an impossible trek across deserts and swamps, Reese returns to wreck havoc on the people who destroyed his life and family. While he plots his revenge, he’s befriended by the black workers who are still toiling away on the Duke Plantation. He’s also fancied by Elena (JENNIFER O’DELL), a comely prostitute searching for her own salvation.

One by one, Reese tracks down and kills the townspeople who were once intent on destroying him. The Preacher is nailed to his own cross, Deputy Lyle’s throat is slashed, Deputy Delbert’s head is decapitated, Sheriff Amos is shot in the crotch and Kate is drowned. Even the prison Warden and his guards are useless against Reese and his allies – the black workers. Eventually, only Billy Duke is left. Mano y mano on the streets of the town, Billy and Reese slug it out until Reese triumphs.

His spirit and memories intact, Reese stops before his wife and child’s graves, pays his respects and heads out of town. Elena packs up too. Whether they will eventually meet again, no one can say.


Emmy Award winning and internationally acclaimed film star ERIC BRAEDEN (“Reese”) has starred as arguably the most popular character in daytime history Victor Newman on the #1 rated daytime drama series The Young and the Restless as Victor Newman since 1980 and has become a favorite of over 120 million world wide daily viewers and syndicated in over 30 foreign countries from France to Israel.

Braeden has the highest TVQ in daytime television (according to (A.C. Nielsen) and is one the most recognized actor in the world.
2007 marks Braeden’s 46th Anniversary in film and television where he has starred with the likes of Marlon Brando, Bette David, Leonardo DiCaprio, Geraldine Page, Burt Reynolds, Dennis Hopper, James Earl Jones, Curt Jurgens, Raquel Welch, Tyne Daly, James Arness, Mary Tyler Moore, Dennis Weaver and Jack Lord among others.

Braeden has appeared in over 120 television series and feature films including starred as Captain Hans Dietrich in the 1960 classic television series The Rat Patrol.

He also starred as Charles Forbin in the science fiction classic Colossus: The Forbin Project, directed by Joe Sargent as well as starring as John Jacob Astor in the most decorated film in Academy Award history The Titanic directed by James Cameron.

Braeden’s other credits include starring in 100 Rifles, Morituri, 100 Rifles, Escape From the Planet Of The Apes, Operation Eichmann, The Ultimate Chase, The Ultimate Thrill, Herbie Goes To Monte Carlo, Meet The Deedles, and Dayton’s Devils among countless others.

Braeden’s numerous primetime series credits include starring in the telefims Jackie Collins Lady Ice, Lucky Chances as well as The Judge And Jake Wyler, How The West Was Won, Perry Mason: The Case Of The Wicked Wives among others.

In addition, his guest starring roles have consisted of Gunsmoke, The Mary Tyler Moore Show, Combat, Diagnosis Murder, The Nanny, Mission Impossible, McCloud, The Night Stalker, The Man From Uncle, Vegas,, The Six Million Dollar Man, Hawaii 5-0, Vegas,, Perry Mason, Mannix, Murder She Wrote, Matt Helm and Gallant Men to name a few.

Braeden was born as Hans Gudegast in Kiel, Germany, a port city near the Baltic Sea. In 1958, he won the German Youth Team Championship in Discus, Javelin and Shot put. In 1959, Braeden immigrated to the United States.
 Braeden worked in the University of Texas medical school lab before moving to Los Angeles, where he attended Santa Monica College. In 1972-73 he won the US National Soccer Championship for the Los Angeles Maccabees and in 1989, Braeden was chosen as the only actor on the newly formed German American Advisory Board. The illustrious group has included Dr. Henry Kissenger, Katherine Graham, Alexander Haig, Steffi Graff and Paul Volcher.
In 1995, Braeden received the highest honor from the Italian Television in Italy from Prime Minister Berlusconi and in 1998 was honored at the 38th Annual Monte Carlo TV Festival.

In 1998, Braeden received The People’s Choice Award as Favorite Actor In A Daytime Drama Series and in 1998 was the recipient of an Emmy Award as Outstanding Actor In A Daytime Drama Series.

In 2004, Braeden joined Prime Minister Ariel Sharon at the Annual Tourism Conference in Israel and the following year he joined Ariel Sharon, Elie Weisel, The Prime Ministers of Poland and Hungary at Auschwitz for “The March Of The Living” along with 20,0000 Christian and Jews.

Braeden twice received The Federal Medal Of Honor by the President Of Germany for his contributions to German American Relations.
In 2007, Braeden was honored with a Lifetime Achievement Award from the nationally renowned organization The Pacific Pioneer Broadcasters Association on Los Angeles. Braeden also was the recipient of The 2007 Ellis Island Federal Medal Of Honor in May of 07.

BILLY ZANE (“Ezra”) William George Zane Jr., better known as Billy Zane, was born on February 24, 1966, in Chicago, Illinois, USA to parents William George Zane Sr. and Thalia Zane. Both of his parents ran a medical technical school. Soon after graduating high school, Billy decided to venture out to California to try his hand at acting.

Within three weeks, he won his very first big screen role in Back to the Future, playing the part of Match, one of Biff's thugs. He would later reprise that role for the sequel. Then after a small role in the film Critters (1986), he landed starring roles in several television movies. In 1989, Billy filmed Dead Calm. It was on the set of this movie that he met his future wife, Lisa Collins. They were married from 1988-1995. In 1996, Billy starred in The Phantom and in 1997 as Cal Hockley in the billion dollar grossing Titanic, opposite his “The Man Who Came Back” co-star Eric Braeden.

ARMAND ASSANTE (“Amos”) Coarsely handsome US actor of Irish-Italian background who has successfully portrayed a wide range of intriguing characters from numerous ethnic backgrounds, both on screen and in the theater. Assante was a graduate from Cornwall Central High School and received his dramatic training at the American Academy of Dramatic Arts.
His first screen role was as a wedding guest in the minor cult film The Lords of Flatbush (1974), then after guest appearances in several TV soap operas, he was back alongside Sylvester Stallone in Paradise Alley... He played a wealthy Frenchman seducing army recruit Goldie Hawn in Private Benjamin (1980), portrayed literary "hard boiled" detective Mike Hammer in I, The Jury (1982) plus, he was excellent in the title character role in Belizaire the Cajun (1986) which was directed by The Man Who Came Back’s Glen Pitre.
Assante continued on into the 1990s with more strong performances as a drug baron in Q & A directed by Sidney Lumet, he made a sensational team with Antonio Banderas for the Cuban music spectacular The Mambo Kings (1992), he was very impressive in the mob drama Hoffa (1992), and once more he was on screen with Sylvester Stallone in the film adaptation of the futuristic comic book Judge Dredd. He also co-starred with Demi Moore in Striptease.
Assante's acting talents remain in strong demand, and he has continued to stay busy on screen with recent appearances in One Eyed King, Citizen Verdict and Two for the Money.
GEORGE KENNEDY (“Judge Duke”) a World War II veteran, sandy-haired, tall and burly, George Kennedy at one stage in his career cornered the market at playing tough, no-nonsense characters who were either quite crooked or possessed hearts of gold. Kennedy has notched up an impressive 200+ appearances in both TV and film, and is well respected within the Hollywood community. He started out in TV westerns in the late 1950s and early 1960s in such classic western shows as Have Gun – Will Travel, Rawhide, Maverick and Colt 45 before scoring minor roles in films including Lonely are the Brave, The Sons of Katie Elder and The Flight of the Phoenix.
The late 1960s was a very busy period for Kennedy, and he was strongly in favor with casting agents, appearing in Hurry Sundown, The Dirty Dozen and scoring an Oscar win as Best Supporting Actor for his performance in Cool Hand Luke in 1967.. The disaster film boom of the 1970s was kind to Kennedy, too, and his talents were in demand for Airport and Earthquake, plus the buddy/road film Thunderbolt and Lightfoot (1974) as vicious bank robber Red Leary.
Kennedy and Leslie Nielsen later surprised everyone with their comedic talents in the hugely successful The Naked Gun film series.
Meanwhile, Kennedy has remained busy in Hollywood and has lent his distinctive voice to the animated Cats Don’t Dance (1997) and the children's action film Small Soldiers (1998). A Hollywood stalwart for nearly 50 years, he is one of the most enjoyable actors to watch on screen.

Raven-haired, smoky-voiced siren SEAN YOUNG (“Kate”) has carved out a niche playing compulsively watchable sexpots on screen. Her breakthrough came as Harrison Ford's android lover in Ridley Scott's Blade Runner (1982), but she delivered an even more memorable performance with her steamy back-seat seduction of Kevin Costner in No Way Out (1987).

Known for speaking her mind, Young's blunt honesty has endowed her with an aura of mystery, enabling her to grace the covers of many top magazines and attract a steady diet of sexy, man-eating roles. Freshly graduated from the Interlochen Arts Academy in Michigan, Young arrived in New York and soon landed her first role in the Merchant-Ivory production Jane Austen in Manhattan (1980) before playing the straight man/love interest of Harold Ramis in Stripes (1981).

She appeared in two TV projects based on F. Scott Fitzgerald's work, Under the Biltmore Clock (1985) for PBS's "American Playhouse" and the Showtime miniseries Tender is the Night (1985). Noted more for her dramatic work, Young has proven herself adept at comedy, beginning with Garry Marshall's Young Doctors in Love (1982) and progressing through her role as the maniac wife in the funky indie Hold Me, Thrill Me, Kiss Me. In the spoof Fatal Instinct (1993), she actually fared best of anyone as the blonde sexpot Lola.
She also starred opposite Jim Carrey in Ace Ventura: Pet Detective which was a major box-office hit.

JENNIFER O’DELL (“Elena”) is best known for her role as lithesome 'Veronica' in The Lost World syndicated television series. An actor, singer and dancer, Jennifer has appeared in guest or supporting roles in several TV shows including CSI: Miami, The Closer, Nip/Tuck, Las Vegas, The Profiler, Scrubs, the TV movie Only in America (HBO original movie) and Time Travelers 2 (syndicated by Videl Productions).
She's also appeared in Double Feature, Desert Hearts, Point Doom, and Molly for MGM. She's performed on stage for the San Diego Repertory Theatre's productions of Grease, and The Good Doctor, and Shakespeare's Twelfth Night. She has danced and modeled in music videos for Backstreet Boys and David Charvee.

JAMES PATRICK STEWART (“Billy Duke”), a native of Encino, California, is the son of Chad Stuart of the ‘60s pop group, ‘Chad & Jeremy.’ He made his television acting debut as Dr. Zee in the original Battlestar Galactica series in 1980. Additional television credits include The Closer, Medium, CSI, Las Vegas, Nip/Tuck, JAG, Spin City, The Ellen Show, Frasier and many others. .
On the feature front, he has appeared in Cruel World, Saddam 17, Gods and Generals, The Disappearance of Garcia Lorca, Gettysburg and Pretty Woman.

CAROL ALT (“Angelique”) is the third of four children born to Anthony and Muriel Alt. Raised in East Williston, NY, she began her modeling career after she was spotted waiting tables during her freshman year at Hofstra University, which she attended on an ROTC scholarship. She dropped out of school to move to Manhattan, where she became one of the top models of the 1980s. When her modeling career ended after eight years, she turned to acting, and has appeared in more than 45 European films. She starred as Karen Oldham on the TV series Amazon (1999).
Her U.S. film credits include Twisted Fortune, Mattie Fresno and the Holoflux Universe, A Merry Little Christmas, The Signs of the Cross, Snakehead Terror, The Look, Hitters, My Best Friend’s Wife, Private Parts, Caged and The Look.

While serving for four years in the Marine Corps, legendary boxer KEN NORTON (“Grandpa”) won three all-Marine championships. He became a sparring partner for Joe Frazier after being discharged. Norton's first professional fight was a 9th-round knockout of Grady Brazell in San Diego on November 14, 1967.

The angular 6-foot-3, 210-pound Norton had a powerful punch and an awkward boxing style that often puzzled opponents. He won 16 straight fights, 15 by knockout, before being knocked out by Jose Luis Garcia on July 2, 1970. He then won 13 more matches to earn a fight against Muhammad Ali for the North American Boxing Federation version of the heavyweight championship. In a stunning upset, Norton took a 12-round decision from the former world champion on March 31, 1973. After the fight, it was learned that he had broken Ali's jaw in the 7th round. Ali reclaimed the NABF title with a 12-round decision on September 10.

George Foreman knocked Norton out in the 2nd round of a match for the world championship on March 26, 1974, in Caracas, Venezuela. After Ali won the title from Foreman, Norton faced Ali for the third time on September 28, 1976. He put up a good fight but lost a 15-round decision.

The title fell into confusion less than two years later. After Michael Spinks beat Ali to win the championship, Norton was ranked as the top contender by the World Boxing Council. Spinks signed for a rematch with Ali instead of fighting Norton, and the WBC stripped him of his crown and proclaimed Norton champion on March 29, 1978. Norton lost the title in his first defense, on June 9, 1978, when Larry Holmes won a 15-round decision in Las Vegas.
In 50 professional fights, Norton had 42 victories, 33 by knockout. He lost 7, 4 by knockout, and also had one draw. His son, Ken Jr., played football at UCLA and was a starting linebacker for the Dallas Cowboys when they won Super Bowl XXVII after the 1992 season.

Norton made his film debut in the 1972 film, Top of the Heap. His other film and television credits include Mandingo, Drum, The A-Team, At Ease, Cover Up, Delta Pi, Knight Rider, Oceans of Fire, Kiss and Be Killed, Dirty Work and Frog and Wombat


GLEN PITRE (Co-Writer/Director) was born in Cut Off, Louisiana, and worked his way through Harvard by fishing shrimps each summer. By age 25, American Film magazine dubbed him "father of the Cajun film" as his low-budget, local dialect costume dramas broke house records in bayou country cinemas. With the help of the Sundance Institute, his internationally-lauded 1986 film Belizaire the Cajun became his first English-language production. Since then Pitre's works in a variety of media, frequently in collaboration with wife Michelle Benoit, have earned him numerous awards, grants and honors, including a knighthood from France. In 2003, film critic Roger Ebert acclaimed Pitre "a legendary American regional director."
His additional directing credits include The Scoundrel’s Wife, Good for What Ails You, Haunted Waters and the television features, American Creole: New Orleans Reunion and Time Served.

STEVEN BOWEN (Producer) is a two-time Emmy Award-nominated special effects expert who has segued into a producing career. In 1993, he was nominated for Best Visual Effects for his work on Star Trek: Deep Space Nine. Five years later, in 1998, he was nominated again for Best Visual Effects for his work on the mini-series Storm of the Century.
Bowen has also served as a digital colorist, color timer on a number of major feature films, including The Da Vinci Code, Cinderella Man, Sky Captain and the World of Tomorrow, Passion of the Christ and Bruce Almighty.
He made his producing debut on Mexican Gold.

CHUCK WALKER (Co-Writer/Producer) makes his producing debut on The Man Who Came Back. He previously wrote and directed Mexican Gold and Ryder P.I. He also wrote the independent film Rings.

SAM CABLE (Producer) previously produced Mexican Gold which co-starred actor John Castellanos and was written and directed by Chuck Walker, both of whom re-team with him as producers on The Man Who Came Back.

JOHN CASTELLANOS (Producer) is an actor turned producer who began his career working in soap operas and segued to network series. His television credits include The Bold and the Beautiful, Miami Vice, Silk Stalkings, Teen Angel, Babylon 5, JAG, Supernatural and starred as John Silva on The Young And The Restless.
His feature acting credits include K-9, An American Reunion, Killer Weekend, The Belly of the Beast and, with fellow writer/producer Chuck Walker, the recently completed Mexican Gold.
He made his producing debut on The Attendant in 2004.

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